The images deal with interpretations of self-portraits as concrete, visual, and conventional poetic ideas. -- Source of annotation: Marvin or Ruth Sackner.

Cards and objects of the same dimensions are stacked between two square, thick wooden plywood boards that are held together by two long screws with flanged nuts. The word "between" is printed on the cover board and blind embossed on the dividing handmade thick paper sheets. Most of the artwork relates directly to the theme of this assembling, e.g., 'zwischen' in German, 'between' in English. This theme is expressed in both verbal and visual images. -- Source of annotation: Marvin or Ruth Sackner.

Cards and objects of the same dimensions are stacked into a pyramid shaped, brightly printed, colored box. The artists and poets contributed one or several pieces to this assembling. The ceramic object made by Axel Fabry is a replica of a sunny-side up egg. The booklet is made like a sandwich. All other sheets relate to the theme of food. -- Source of annotation: Marvin or Ruth Sackner.

Lucien Wasselin contributed the preface to this book that consists of the reprinting of Garnier's published works. -- Source of annotation: Marvin or Ruth Sackner.

Martial Lengelle contributed the preface to this book that consisted of a review of different types of concrete and visual poetry. The second half of the book reprints several of Garnier's published works. -- Source of annotation: Marvin or Ruth Sackner.

This essay was published in "The Times Literary Supplement" No.3,258 August 6 1964 in a slightly modified form from this manuscript. The Sackner Archive holds this issue of TLS. -- Source of annotation: Marvin or Ruth Sackner.

Theme is the birth and death of Persephone, daughter of Zeus and Demeter who is the personification of spring; hence the use of flowers in the images. -- Source of annotation: Marvin or Ruth Sackner.

The jacket is signed by Seiichi Niikuni "for Emmett Williams," Jun 1971.

This manuscript was typed by Dom Sylvester Houedard, the translator of Garier's manifesto and is stored in Garniker's box. -- Source of annotation: Marvin or Ruth Sackner.

The prints are reproductions of typed pages on varied colored papers. The Sackner Archive holds the original typing of Ilse Garnier's "coRRida" that is reproduced as a print in this work. For this copy, someone made a custom designed folder and slipcase. -- Source of annotation: Marvin or Ruth Sackner.

Theme deals with Hitler's career as a failed artist. The portrait of Hitler carried throughout the book is an abstracted image of his two most prominent features, his hairline and moustache. Andryczuk contributes a critical essay. -- Source of annotation: Marvin or Ruth Sackner.