Giorno, John, 1936-2019
Person
Nationality
American
Found in 4 Collections and/or Records:
An Art between Speech and Music / Kresh, Paul; Amirkhanian C; Giorno J; Gysin B; Saroyan A; Ginsberg A; Burroughs WS; Cage J; Morrow C; Rothenberg J., 1983
Item
Identifier: CC-07796-7949
No.74: Little Mags / Am Here Books ; Caws MA ; levy da ; Wagner Dr ; Giorno J ; Cook G ; Kostelanetz R ; Gibbs M ; Lax R ; Williams J., 1993
Item
Identifier: CC-26492-26961
No.76: Little Mags [F-G List] / Am Here Books ; Giorno J ; Williams J ; Blazek D ; Bennett JM ; Higgins D ; Cook G ; Patchen K ; levy da ; Hirschman J ; Kostelanetz R ; Abish W ; Federman R ; Rothenberg J ; MacLow J ; Jess ; bissett b ; Kempton K ; Cobbing B ; Houedard DS., 1993
Item
Identifier: CC-26521-26990
Subduing Demons in America: Selected Poems 1962-2007, 2008
Item
Identifier: CC-49491-70537
Scope and Contents
Marcus Boon, who edited this book writes, Giorno's late-1960s poems see him expanding the use of found materials, including pornographic and countercultural texts, as well as the use of repetition. Indeed, poems like "Capsule," "Give It to Me, Baby," and "Johnny Guitar" are among the most rock 'n' roll poems ever written, every bit as psychedelic and confrontational as The Stooges or Jefferson Airplane, and probably just as much the product of a wide-ranging armory of pharmaceuticals, which, as Giorno has repeatedly insisted, have the potential to open and expand the mind and bring bliss. Balling Buddha, a multicolor confection printed on pages in the six colors of the rainbow, rather than traditional black on white, introduced Giorno's signature split lines running down the center of each page-as a way of both reproducing the multitracking used in his sound poems and perturbing the linear flow of text on the page. Giorno observes that the split line "breaks the lineal flow....
Dates:
2008
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