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This copy has an additional card by Guy Schraenen that reproduces the signatures of all the contributors. -- Source of annotation: Marvin or Ruth Sackner.

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Produced by endwar, "this object is modeled on the prayer wheels used in Tibetan Buddism. When spun, the device reads a potentially endless recursive variant of the divine tautology "I AM THAT I AM" used in one on Brion Gysin's permutation poems from 1960. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Produced by endwar, "this object is modeled on the prayer wheels used in Tibetan Buddism. When spun, the device reads a potentially endless recursive variant of the divine tautology "I AM THAT I AM" used in one on Brion Gysin's permutation poems from 1960. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Designated as Reality Studios Occasional Papers No.1 and first published in 1985. Includes books, appearances in anthologies and periodicals, biographical and critical interviews, records and tapes, translations. Stored in Gysin box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents One of the last pages in this book depicts the following words, " Life Death Breath." This page is also displayed in this record of the database.Gladys Fabre May 2010 writing on inside dust jacket stated: "Painter, writer, poet, filmmaker, and performer Brion Gysin (1916-1986) was a source of inspiration for many Beat Generation artists and for underground culture in general (for Gregory Corso, John Giono, Bernard Heidsieck, but also for Keith Haring, The Rolling Stones, Steve Lacy, the painter Matta and his son Ramuntcho, Laurie Anderson). In books, films and sound poems, together with the author William Burroughs, he developed methods such as Cut-ups and permutations previously employed in painting. With Ian Sommerville, he designed a stroboscopic apparatus to arousing hallucinatory visual effects called the Dreamachine. Such artistic multidisciplinarity enabled him to explore thoroughly a multiple self. He saw himself and indeed lived as if he had been allotted the wrong part by...

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This exhibition was curated by John M. Bennett who organized the event and edited the catalogue. The exhibition featured the work of William S. Burroughs with most of the material lent by Robert Jackson, a Cleveland book collector. The story of the purchase of the Burroughs material by Robert Jackson from Roberto Altmann is told in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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This a critical text on asemic writing that means writing without semantic content. It is filed with Asemic magazine. -- Source of annotation: Marvin or Ruth Sackner.

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This printed card was sent to Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

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Translated into French by Jean Chopin. Printed on Hayle paper. -- Source of annotation: Marvin or Ruth Sackner.

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Translated from English into French by Jean Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The Sackners attended this spectacular exhibition. Water Row Books: This is the first comprehensive survey of the works of the radical artist Brion Gysin, featuring a stunning selection of illustrations. During his lifetime Brion Gysin (1916-1986) inspired an array of artists, writers, poets and musicians, notably the Beat Generation. Since his death Gysin's own work has only increased in popularity, yet his radical approach to art defies categorization. Brion Gysin: Dream Machine is the first detailed study of Gysin's oeuvre in both art-historical and contemporary contexts. A devotee of invention, Gysin created paintings, drawings, photo-collages, installations, poetry and sound experiments. He produced the cut-up collage novel The Third Mind (1965) with William Burroughs, and with Ian Sommerville developed the Dreamachine (1961), a kinetic sculpture designed to induce visions by playing flickering light on the closed eyes of the viewer. This exciting new book, featuring incisive...

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This dvd was produced fron the videotape done by The Hafler Trio and Three Temple Ov Psychick Youth. The Dreamachine is a cylinder 1m. in height, with holes of sufic origin to let light into its sides, placed on a turntable rotating at 78 rpm with a lightbulb suspended its center. "Flickers" of light which eminate are viewed with eyes closed. The interruptions of light correspond with alpha rhythms. The videotape covers a range of techniques used by Gysin and was realized in an edition of 20 copies. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This videotape was produced by The Hafler Trio and Three Temple Ov Psychick Youth. The Dreamachine is a cylinder 1m. in height, with holes of sufic origin to let light into its sides, placed on a turntable rotating at 78 rpm with a lightbulb suspended its center. "Flickers" of light which eminate are viewed with eyes closed. The interruptions of light correspond with alpha rhythms. The videotape covers a range of techniques used by Gysin and was realized in an edition of 20 copies. -- Source of annotation: Marvin or Ruth Sackner.