This videotape was produced by The Hafler Trio and Three Temple Ov Psychick Youth. The Dreamachine is a cylinder 1m. in height, with holes of sufic origin to let light into its sides, placed on a turntable rotating at 78 rpm with a lightbulb suspended its center. "Flickers" of light which eminate are viewed with eyes closed. The interruptions of light correspond with alpha rhythms. The videotape covers a range of techniques used by Gysin and was realized in an edition of 20 copies. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Jean-Marc Vincent. Consists mainly of interviews of Gysin and Burroughs. -- Source of annotation: Marvin or Ruth Sackner.

This announcement of movies included work dedicated to Normande Transculturel by Joel Hubaut. -- Source of annotation: Marvin or Ruth Sackner.

This letter is addressed to John Sharkey in which Houedard mentions well known poets of the '60s. -- Source of annotation: Marvin or Ruth Sackner.

Gysin is interviewed by Wilson, with an introduction by William S. Burroughs. They discuss Morocco, magic, science, literature, painting and music. -- Source of annotation: Marvin or Ruth Sackner.

This book provides a detailed historic survey of French poetry. -- Source of annotation: Marvin or Ruth Sackner.

This book was edited by Jan Herman. Gysin documents the making of cut-ups and his "Dream Machine" in this book. Also, this book includes three labels from the exhibition "Beyond Geometry." -- Source of annotation: Marvin or Ruth Sackner.

This letter is a lengthy polemic in which Cobbing argues with Chopin's assertions on contesting the history of sound poetry. He dates and mentions his own performances of sound poetry from his first attempts in 1942. He argues with Chopin on the dating of the works of Heidsieck, Wolman, de Vree, Lockwood, Dufrene, Gysin and Jandl. -- Source of annotation: Marvin or Ruth Sackner.

Gibbs asks Aaron for books and mentions his working on Kontextsound to accompany the sound poetry festival ar Amsterdam's Stedelijk Museum. -- Source of annotation: Marvin or Ruth Sackner.

This book was first published in Paris in 1960 by Two Cities Editions. Claude Perlieu contributed a single collage that is reproduced after the title page. The back cover depicts a Brion Gysin calligraphic drawing. This book has been considered by some as the "Handbook for Cut-Ups." -- Source of annotation: Marvin or Ruth Sackner.