This is also designated volume 2 of 4, selected works 1961-1975. The statements, "I like breathing... I like loving...I like sleeping in the grass... I like eating... I like running in the woods... I like dreaming... I like screaming" are laid out in concrete poetic form as well as modified on the pages of this book. -- Source of annotation: Marvin or Ruth Sackner.

This is Upton's account of sound poetry compositions made at Fylkingen Stockholm and presented at the National Poetry Centre in August 1972. -- Source of annotation: Marvin or Ruth Sackner.

This is an announcement card for an art fair that was intensively altered by Joel Hubaut. -- Source of annotation: Marvin or Ruth Sackner.

A tribute to Bob Cobbing on his 70th birthday, Hansen states "thanks & gratitude for 23 years of friendship!" -- Source of annotation: Marvin or Ruth Sackner.

Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember. This is Cobbing's essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.

Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember." This is Cobbing's manuscript essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.

Bob Cobbing has made notations for the actual performance times on Swedish radio on this personal copy. He notes that Valoch's contribution was not received in time for the festival. This copy is stored with Cobbing material. -- Source of annotation: Marvin or Ruth Sackner.

Sten Hanson's essay on "Henri Chopin, the Sound Poet" traces his career and analyzes his work. -- Source of annotation: Marvin or Ruth Sackner.

Hansen mentions his new address and sends Cobbing two poems and a record for his 70th birthday. -- Source of annotation: Marvin or Ruth Sackner.

Hanson died in 2013. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this work is "Where id Eldridge Cleaver?" -- Source of annotation: Marvin or Ruth Sackner.

The covers of this brochure depict mandalas by Kriwet. A reproduction of the piece, "Group H" is signed by Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.