The theme of this exposition is revelations and transformations of public spaces and visions of artists and architects. The cover is a reproduction of a street performance event of Joel Hubaut where all the vehicles are red and all the participants walking around a public fountain are dressed in red. -- Source of annotation: Marvin or Ruth Sackner.

Hubaut drew an image of a WW 1 two winged airplane flying with a pilot over the announcement of his exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Preparatory drawing for an announcement of performance by Hubaut at L'Ancienne Poste, Calais. -- Source of annotation: Marvin or Ruth Sackner.

The drawing was done on the facing pages of the Table of Contents. The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.

This piece is an example of Hubaut's body of work pertaining to monochromatic themes in which he himself becomes part of the art work. Hubaut is dressed in a outlandish white hat with a white female nude sculpture on it. His face, neck and legs are painted with white dots, and he is wearing a white chef's coat, no pants, white boots, and is standing in front of an opened white refrigerator filled with white food products, holding a woman's white purse. -- Source of annotation: Marvin or Ruth Sackner.