Pages are uncut and in the last section, the pages are out of order. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner.

Pages are uncut. This copy includes one drawing by Lemaitre and two drawings by Altmann in the beginning of the book that were added to the pages after its publication. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner. Edition has glassine protective cover.

This is an attack on the writers of the "new" novel by Isou. The watercolor was done by Lemaitre. The ordinary edition is Lettrisme No.17. -- Source of annotation: Marvin or Ruth Sackner.

Francesco Conz contributes an afterward "Lettrisme: The Forgotten Avant Garde." Roland Sabatier wrote about Isou's novel "Initiation a la Haute Volupte" (Initiation inot High Sensual Pleasure) and also contributed an essay "Poetry and Music:From Lettrisme to Excordism through Aphonism and the Infinitesimal." The fabric prints of Isou published by Conz, that are reproduced in this book, are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Each internal page of the leaflet has a single, hand painted, artist stamp collaged onto it. The work was done concurrent to an exhibition "Lettrisme & Hypergraphie" held at the Galerie Stadler in 1964; the Sackner Archive holds the ordinary and deluxe edition of this catalogue. According to Frederic Acquaviva, all of the drawings were done by Jacques Spacagna including the forging of signatures. -- Source of annotation: Marvin or Ruth Sackner.

Most of hte plate is covered in glyphs with three instances of text: "matérial d'une super-linguistique," "Fondement alimentaire d'une sémantique," and a dedication, "à Mady et François Letaillieur."

This book deals mainly with Fahlstrom's literary and poetic works. It includes a reprinting of his manifesto for Concrete Poetry ( 1953). -- Source of annotation: Marvin or Ruth Sackner.

The first five numbered copies contain an additional two rayogrammes (one of which is held by the Sackner Archive). The pictures include portaits of Isou, Lemaitre, Sabatier, Satie, and Woodie Roehmer. -- Source of annotation: Marvin or Ruth Sackner.

The poems were composed by Isou, the black and white prints by Dupont with the exception of one print by Isou. This edition of 10 copies has an extra suite of prints on Japon paper. -- Source of annotation: Marvin or Ruth Sackner.

The artwork accompanying the two volumes of this work has been seperated as a another record. -- Source of annotation: Marvin or Ruth Sackner. This volume contains Chapitre I - Le désir paradisiaque et l'externité and Chapitre II - Ebauche d'une économie nucléaire (1944-1953).

The artwork accompanying the two volumes of this work has been seperated as a another record. -- Source of annotation: Marvin or Ruth Sackner. This volume contains Chapitre III - Supplément sur la créativité pure (1944-1953)