The colophon states that the first 100 copies were numbered and signed by all the contributors. This copy is not in this first series and the incomplete list of signatures was obtained by the previous owner some time after the book was published. This book is a Festschrift in honor of Helmut Hessenbuttel; it is also designated Portrait 1 in a series by the publisher. -- Source of annotation: Marvin or Ruth Sackner.

This copy, considered a 1st edition, was printed in 1972 but was first published in 1970. The cover of this copy is a printed introduction to Jandl's work. The book is an anthology of Jandl's experimental poetries. -- Source of annotation: Marvin or Ruth Sackner.

This copy was printed in 1981 but was first published in 1970. Its cover that depicts a photographic head portrait of Jandl differs from the March 1972 printing cover that is a printed introduction to his work. The latter is also held by the Sackner Archive. The book is an anthology of Jandl's experimental poetries. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of poems composed between 1975 and 1978. -- Source of annotation: Marvin or Ruth Sackner.

The book is an abridged edition of the first edition that includes 136 rather than 162 poems. -- Source of annotation: Marvin or Ruth Sackner.

This is a collection of Jandl's poems from 1952 - 1971. Up until 1963, the poems were conventional but in 1963, a constellation appears. Hans Mayer wrote an afterward to the book. The cover consists of a printed text of Jandl's poetic achievements from a historical perspective. -- Source of annotation: Marvin or Ruth Sackner.

This is a collection of Jandl's poems from 1952 - 1971. Up until 1963, the poems were conventional but in 1963, a constellation appears. Hans Mayer wrote an afterward to the book. The cover of this edition consists of a printed poem by Jandl. -- Source of annotation: Marvin or Ruth Sackner.

Spohn contributed ten illustrations to the book. -- Source of annotation: Marvin or Ruth Sackner.

The book was first published in 1974 and this copy was reprinted in 1984 but is not as experimental as Jandl's "Der Kunstliche Baum." It was awarded the georg-buchner-preis in 1984. -- Source of annotation: Marvin or Ruth Sackner.

dsh analyzes the sound poems of Cobbing and Jandl as well as making comparisons to Zen. -- Source of annotation: Marvin or Ruth Sackner.

The poems in this book are mainly sound poems from made-up words. The afterward consists of an essay about Jandl's work by Helmut Heissenbuttel. There are slight differences in the layout of the poems and their order in this edition compared to its second publication in 1971. For example, the same poem on pages 194 and 195 of this edition (1966) is laid out on page 190 in the second edition (1971). -- Source of annotation: Marvin or Ruth Sackner.

The poems in this book are mainly sound poems from made-up words. The afterward consists of an essay about Jandl's work by Helmut Heissenbuttel. There are slight differences in the layout of the poems and their order in this edition compared to its first publication in 1966. For example, the same poem on page 190 of this edition is laid out over facing pages 194 and 195 in the first edition (1966). -- Source of annotation: Marvin or Ruth Sackner.

Also designated Turret Booklet No.9; the editor of the series was Edward Lucie-Smith and this was a presentation copy by Jandl to him. The first 50 copies were signed by Jandl. -- Source of annotation: Marvin or Ruth Sackner.

This is the major anthology of Duke's works. -- Source of annotation: Marvin or Ruth Sackner.