In this book, Padin provides a mathematical description for the lay out of his letter pictures. -- Source of annotation: Marvin or Ruth Sackner.

The cover reproduces a letter poem by Clemente Padin. The exhibition was organized by Ovum 10 and includes a listing of international journals of avant garde literature. -- Source of annotation: Marvin or Ruth Sackner.

Spohn contributed ten illustrations to the book. -- Source of annotation: Marvin or Ruth Sackner.

This was an international festival of contemporary poetry, performance, music, dance, theatre, video and multimedia held in Venice, Italy. The duplicate cards are of Joel Hubaut in a red performance outfit and background. The pamphlet is the schedule of planned events. -- Source of annotation: Marvin or Ruth Sackner.

The book was first published in 1974 and this copy was reprinted in 1984 but is not as experimental as Jandl's "Der Kunstliche Baum." It was awarded the georg-buchner-preis in 1984. -- Source of annotation: Marvin or Ruth Sackner.

This book is larger in its dimensions than the other copy held by the Sackner Archive that was reprinted in 1984. It is not as experimental as Jandl's "Der Kunstliche Baum." -- Source of annotation: Marvin or Ruth Sackner.

Klaus Siblewski contributed an essay about the works. -- Source of annotation: Marvin or Ruth Sackner.

Ernst Jand contributed a brief introductory essay. The sole shaped poem depicts a hanging apparatus. -- Source of annotation: Marvin or Ruth Sackner.

The photograph of Papenfuss-Gorek is by Thomas Gunther. This book is out of print. -- Source of annotation: Marvin or Ruth Sackner.

Jandl made the line drawings for this book. -- Source of annotation: Marvin or Ruth Sackner.

In one poem in this pamphlet, spence does "A Humument" treatment of a text for a homage to the artist, Helen Frankenthaler. -- Source of annotation: Marvin or Ruth Sackner.

In one poem in this pamphlet, spence does "A Humument" treatment of a text for a homage to the artist, Helen Frankenthaler. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue consists of a listing of books and artworks in this exhibition; there is only one image - cover by ferdinand kriwet. The First International Exhibition of Concrete, Phonetic, and Kinetic Poetry was held in the Rushmore Rooms, St. Catharine's College, Cambridge, and sponsored by the Shirley Society in 1964 published a catalogue of four pages that is out of print and not in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

dsh analyzes the sound poems of Cobbing and Jandl as well as making comparisons to Zen. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Finlay Archive cabinet. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the page reference is to Jandl's biography. -- Source of annotation: Marvin or Ruth Sackner.