The author does a critical tabular and diagrammatic analysis of selected concrete poems by Gomringer, Jandl, Dohl, Thomkins, Hesse, Bremer, and Schauffelen. -- Source of annotation: Marvin or Ruth Sackner.

The thesis of this book is that Concrete Poems can e a basis for the learning of a forfeign language. -- Source of annotation: Marvin or Ruth Sackner.

The poems in this book are mainly sound poems from made-up words. The afterward consists of an essay about Jandl's work by Helmut Heissenbuttel. There are slight differences in the layout of the poems and their order in this edition compared to its second publication in 1971. For example, the same poem on pages 194 and 195 of this edition (1966) is laid out on page 190 in the second edition (1971). -- Source of annotation: Marvin or Ruth Sackner.

The poems in this book are mainly sound poems from made-up words. The afterward consists of an essay about Jandl's work by Helmut Heissenbuttel. There are slight differences in the layout of the poems and their order in this edition compared to its first publication in 1966. For example, the same poem on page 190 of this edition is laid out over facing pages 194 and 195 in the first edition (1966). -- Source of annotation: Marvin or Ruth Sackner.

The poems in this book are mainly sound poems from made-up words. The afterward consists of an essay about Jandl's work by Helmut Heissenbuttel. There are slight differences in the layout of the poems and their order in this edition compared to its first publication in 1966. For example, the same poem on page 190 of this edition is laid out over facing pages 194 and 195 in the first edition (1966). -- Source of annotation: Marvin or Ruth Sackner.

Jandl provides the name of the poem to be read in Amsterdam [refers to sound texts ?concrete poetry visual texts exhibition] along with correct name and dating, i.e., 1957 rather than 1966, of its first publication. -- Source of annotation: Marvin or Ruth Sackner.

The signature at the bottom of this letter is illegible. The writer discusses a poem submitted for PISA/Opening. He thanks Furnival for sending him the rotating word-disc/pentagon through Ernst Jandl. -- Source of annotation: Marvin or Ruth Sackner.

This letter to Charles Cameron includes several names and details for poetry readings that DSH suggests are to be contacted including Bob Cobbing, John Furnival, Ernst Jandl and Aram Soroyan. -- Source of annotation: Marvin or Ruth Sackner.

In this letter, Jandl mentions "three visual poems" for publication in Second Aeon, the periodical edited by Finch. -- Source of annotation: Marvin or Ruth Sackner.

This book is a text for middle school students. -- Source of annotation: Marvin or Ruth Sackner.

Designated Writers Forum Poets No.11. -- Source of annotation: Marvin or Ruth Sackner.

Designated Writers Forum Poets No.11. -- Source of annotation: Marvin or Ruth Sackner.

Designated Writers Forum Poets No.11. -- Source of annotation: Marvin or Ruth Sackner.

Designated Writers Forum Poets No.11. -- Source of annotation: Marvin or Ruth Sackner.

Designated Poets No.11. -- Source of annotation: Marvin or Ruth Sackner.

Ten copies of this documentation of the performace organized by jw curry were published. Eight were given to the participants. Therefore, the Sackner Archive has one of the only two in the public domain. -- Source of annotation: Marvin or Ruth Sackner.