This bag includes the following manifesto: ART DETOX 2010 - a year of artistic detoxification! do you feel oppressed by too many art invites, shows and projects? tired of being burdened and clogged by bad art toxins? every time two or more artists meet in 2010 to discuss and/or promote a therapeutic ecology of art, you have a session of ART DETOX. THREE EASY STEPS TO A COMPLETE ART DETOX EXPERIENCE 1 - think about all the art excesses that prevent you from having a pure and healthy creative life 2 - conceive and organize your own private or public ART DETOX session 3 - document it and share it with others on http://artdetox2010.ning.com. -- Source of annotation: Marvin or Ruth Sackner.

Leiber's catalogues show a consistent, innovative design. This issue with alphabetical notebook tabs sponsored by Rose Holtz, references several offerings to the Sackner Archive Catalog of 1986. -- Source of annotation: Marvin or Ruth Sackner.

The label on the envelope reads, "this image will disappear if exposed to light." Ths images of the photograms appear to be abstract objects. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Guy Bleus. This catalogue includes an introductory essay by Guy Bleus with definitions of the artist book. It also includes brief statements by several artists on the artist book, viz., Fernando Agiuar, Albrecht d., Carl Andre, Mirella Bentivoglio, Piermario Ciani, Robin Crozier, Guillermo Deisler, Goivanni Fontana, H.R. Fricker, John Held, Jr., Judith Hoffberg, Joel Hubaut, Ray Johnson, Ruggero Maggi, Robert C. Morgan, Geza Perneczky, Gunther Ruch, Serge Segay, Chuclk Welch, and Rea Nikonova. Several works depicted in the catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This assembling was made to commemorate the exhibition of works from small artists' magazines, Arte Postale!, Art/Life, Collective Copy, Commonpress, Entwerter/Oder, UNI/vers (;), Data File, Eins von Hundert, and Tiegel und Tumult. -- Source of annotation: Marvin or Ruth Sackner.

This volume of Miglietta's collection of concrete and visual poetry served as the catalogue for the exhibition at the Castello di Carlo V, in Lecce in November 1996. It was subtitled, "Sperimentazione, Verbo-Visuale, Multimediale, Mail-Art." The actual dates of completion of the catalogue was June 1996. The Sackner Archive is listed with contributions of catalogues to Miglietta of the 1984 Archive listing and several selected exhibition catalogues. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.