This portfolio consists of facsimile reproductions of concrete poetic and calligraphic works created by Lora-Totini from 1975 -1995. All of these works are initialled by him with the date of the original publication. -- Source of annotation: Marvin or Ruth Sackner.

This portfolio consists of facsimile reproductions of concrete poetic and calligraphic works created by Lora-Totini from 1975 -1995. All of these works are initialled by him with the date of the original publication. -- Source of annotation: Marvin or Ruth Sackner.

This portfolio consists of facsimile reproductions of concrete poetic and calligraphic works created by Lora-Totini from 1975 -1995. All of these works are initialled by him with the date of the original publication. -- Source of annotation: Marvin or Ruth Sackner.

One of the loose sheets is a reproduction of a letter to Dorflies, another a letter to Martini. The afterword was written by Lora-Totino. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue has the appearance of an Assembling magazine. -- Source of annotation: Marvin or Ruth Sackner.

This is also designated No.4 of the series "fonemi plastici 1967." -- Source of annotation: Marvin or Ruth Sackner.

This is also designated No.4 of the series "fonemi plastici 1967." -- Source of annotation: Marvin or Ruth Sackner.

This is also designated No.3 of the series "fonemi plastici 1967." -- Source of annotation: Marvin or Ruth Sackner.

This issue includes one record [Source Record Number Five] that plays music by Lowell Cross on one side and Arrigo Lora Totino on the other side. Another record [Source Record Number Six] plays music by Alvin Currin on one side and Anna Lockwood on the other side. This issue depicts several electronic schematics for making music. Manford Eaton conributes an essay on Bio Music with the physiologic responses that include GSR, EKG, EEG, EMG, EOG, blood pressure and respiration. Two visual poetry books by Nelson Howe who contributed "Fur Music" are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

All poems are based on the words "spazio" and "tempo." -- Source of annotation: Marvin or Ruth Sackner.

Each stamp depicts an identical turkey captioned by an Italian poet's name. -- Source of annotation: Marvin or Ruth Sackner.

In this issue, Gualeteri provides several short poems dedicated to his contemporaries. -- Source of annotation: Marvin or Ruth Sackner.

Edited by William Xerra. -- Source of annotation: Marvin or Ruth Sackner.

Edited by William Xerra. Issues No.9-12 are packed within same box. -- Source of annotation: Marvin or Ruth Sackner.

Each folded page of the unfolded, cut, card contains a letter or letters from the title "nonnulla." This booklet is also designated situazioni plasticoverbali No.2. -- Source of annotation: Marvin or Ruth Sackner.