This book includes 20 poems from "154 Forties," a series that Mac Low has been writing and revising since 1990. The cover was designed by Anne Tardos. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Peter Ganick. -- Source of annotation: Marvin or Ruth Sackner.

Mac Low explains how these poems were composed as chance operations: "They are "French" by virtue of their source rather their language." Several were composed on Bloomsday. -- Source of annotation: Marvin or Ruth Sackner.

This edition reproduces the 1984 Black Mesa press edition that has been type set by Charles Alexander. The cover and end-papers were designed by Anne Tardos. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Ray DiPalma. -- Source of annotation: Marvin or Ruth Sackner.

Edited and with an introduction by Douglas Messerli. -- Source of annotation: Marvin or Ruth Sackner.

Internet: THE POLITICS OF POETIC FORM: POETRY AND PUBLIC POLICY is a series of essays from a discussion that occurred at the New School for Social Research in New York. The discussion mines the relationship between poetic composition and political expression. Poetry's relationship to public policy typically has a questionable margin of relation. Not only does this volume posit that poetry is a dynamic medium for the consideration of political ideas, it focuses on the ideological weight specific formal innovations bring to poetry. Some of the writers include Jerome Rothenberg, Ron Silliman, Susan Howe, Nathaniel Mackey and Charles Bernstein. -- Source of annotation: Marvin or Ruth Sackner.

Mac Low composed the poems in this book by modifying sentences with different words by a rigorous technique in Virginia Woolf's novel, The Waves. This method was used to generate other poems from Mac Low's experiences. -- Source of annotation: Marvin or Ruth Sackner.

The poems are made up of single words, names and short phrases, which are not arranged through normative syntax and rarely short sentences, none embedded in narrative, logical, or other structures of discourse, composed as a sort of automatic writing. -- Source of annotation: Marvin or Ruth Sackner.

The poems are made up of single words, names and short phrases, which are not arranged through normative syntax and rarely short sentences, none embedded in narrative, logical, or other structures of discourse, composed as a sort of automatic writing. -- Source of annotation: Marvin or Ruth Sackner.