Listing of Little Magazines. -- Source of annotation: Marvin or Ruth Sackner.

This anthology of poems for most part published in the 60s representing four present tendencies of poetry-Metapoetry: the Poetry of changes, Language Happenings (Concrete & Intermedia Poetry), Found Poetry & the 'Poetry of Survival. -- Source of annotation: Marvin or Ruth Sackner.

Andrews states that this book is divided into three sections. "The first, POSITION, sets out an overall personal perspective in a sequence of summary statements on poetics, ending with efforts to drive the question of meaning into a trajectory of social embodiment, dialog, & resistance. The second, VERB, offers a parallel record of interviews & symposia responses on a clutch of related themes, with an eye toward recharting the 'socially possible' through language & (more) radical praxis. And the third, BODY, makes a mosaic out of pieces on a variety of postwar English-language poetries & matters up for grabs in reading (& thus personally reconvening & rewriting) them." -- Source of annotation: Marvin or Ruth Sackner.

A poem is pringed on each page with six stanzas with the first letter of each phrase reading WI EIS HIIC Y S&T HNII. At the bottom of each page is a reproduction of a telephone drawn by Ray Johnson, -- Source of annotation: Marvin or Ruth Sackner.

Originally written in 1984, this work consists of 10 pages of music score printed onto cloth. -- Source of annotation: Marvin or Ruth Sackner.

A Tribute to John Cage was organized by Carl Solway and Allan Kaprow at the Carl Solway Gallery for the Chicago International Art Exposition. This work is stored on shelf near John Cage material. -- Source of annotation: Marvin or Ruth Sackner.

This book is from the Avant-Garde & Modernism Studies series. "From the writing of seventeenth-centuy England to the avant-garde contemporary poetics of writers...McCaffery traces intersections along a broad conceptual plan that he terms he protosemantic, demonstrating how a reader must examine the interstices of each text, its paragrammic possibilities, and Deleuzean folds." McCaffery includes a section on "A Humument" by Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.

Jerome Rothenberg wrote the introduction and Mac Low supplied notes throughout the book that documented the varied works. -- Source of annotation: Marvin or Ruth Sackner.

Jerome Rothenberg wrote the introduction and Mac Low supplied notes throughout the book that documented the varied works. The handwritten poem on the last two pages of the book, "Ruth and Marvin Sackner," spells out the namesby a diastatic-chance method by drawing words from this book by placement of the names. For example, the first line of the poem is righteous number out nothing is obtained as follows. Righteous (page 18), nUmber (page 21), ouT (page 20), notHing (page 8). The page numbers correspond toplaces of the required letters in the alphabet: the words in stanza 1, from "018"; 2 from "118," etc. Mac Low has also handwritten a list of errata near the title page. -- Source of annotation: Marvin or Ruth Sackner.

In this anthology, Rothenberg draws implicit attention to several individuals who composed concrete poems that andedated those of Gomringer and the Noigandres group such as Bob Brown, ee cummings, Marsden Hartley, and Kenneth Patchen. -- Source of annotation: Marvin or Ruth Sackner.

In this anthology, Rothenberg draws implicit attention to several individuals who composed concrete poems that andedated those of Gomringer and the Noigandres group such as Bob Brown, ee cummings, Marsden Hartley, and Kenneth Patchen. -- Source of annotation: Marvin or Ruth Sackner.