Each print consists of collages of covers and pages from German books reworked in a photocopier machine. The images depict a mixture of distorted but readable texts and images. -- Source of annotation: Marvin or Ruth Sackner.

All the works in the exhibition were made in the shape of a cross. -- Source of annotation: Marvin or Ruth Sackner.

The elements of the collages are on pre-printed cards. -- Source of annotation: Marvin or Ruth Sackner.

Cover was designed by Rea Nikonova. Includes an introduction by Andryczuk and an essay by Pierre Garnier on constructivistic poetry. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of a selection of postcards by a group of international artists dealing with the subject of AIDS and its prevention. -- Source of annotation: Marvin or Ruth Sackner.

This final issue mainly collates out-of-date books, literature and records. For example, it has a fascicle on embryology from a Handbook of Biology, an envelope containing dental records from a patient recorded in 1980, an x-ray of an apical view of the lungs taken in 1953, a blueprint and a photocopied print made in 1990 and 1992 for a house, and computerized bills for medications in 1996. The style of Andryczuk's periodical, Teraz Mowie, was used for a book included in this issu -- Source of annotation: Marvin or Ruth Sackner.

The images are photocopies of pages from a book with text over the images, e.g, transportation vehicles, sailing ships, human faces, tools, structures, etc. -- Source of annotation: Marvin or Ruth Sackner.