This print was made by photocopying one hand of Ruth and one of Marvin Sackner and overlaying fragmented printed offset text from a printing company. It constituted a project organized by Olbrich in the printing plant that was produced in book format. The book is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This print was made by photocopying one hand of Ruth and one of Marvin Sackner in preparation for overlaying fragmented printed offset text from a printing company. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of magazine covers and pages for popular consumption printed by a large German printing plant. The workers hands were photocopied by Olbrich who then overlaid the hands on this material to create pages in a book. The book itself is placed within the frame with a matting of crumpled paper from the pages and covers produced in the printing plant. The cover of the cardboard box container has a photocopied print of two hands. -- Source of annotation: Marvin or Ruth Sackner.

Printed in black; another version in Sackner Archive is printed in red. -- Source of annotation: Marvin or Ruth Sackner.

Printed in red; another version in Sackner Archive is printed in black. -- Source of annotation: Marvin or Ruth Sackner.

John Held Jr. contributed an introductory essay entitled, "The Open World of Netland." Most of this catalogue printed on brown recyled paper consists of the list of participants. There are only two pages with images. -- Source of annotation: Marvin or Ruth Sackner.

These are the installation photographs of the exhibition curated by OIlbrich with the same title . -- Source of annotation: Marvin or Ruth Sackner.

Terrence McMahon curated this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This issue of the street newspaper, Motz, paper is dedicated to publishing a political statement about the homeless. It also serves as an exhibition catalogue of mail art contributions held at the Willy-Brandt-Haus in Berlin. -- Source of annotation: Marvin or Ruth Sackner.

This copy is from the unsigned edition = 50 copies were signed and numbered. Works by Emmett Williams depicted in this catalogue that are also held by the Sackner Archive include Alphabet Square (1956/83), she loves me from Mayer's concrete poetry, britain, canada united states, An Opera(1960/1987), Mat Mot No.6 (1965), Shakespeares XXC TH (1979), and La Dernier Pomme Frite (1989). -- Source of annotation: Marvin or Ruth Sackner.

This book documents Olbrich's North American tour during 1985 including a visit to the Sackners house on Miami Beach from March 26 to April 1. -- Source of annotation: Marvin or Ruth Sackner.

Each book begins with page 1 at the end, an original calligraphic or visual drawing by each artist. Then from rear to front, each drawing is slightly altered as an abstraction, page by page by Adamczewska, so that on the final page at the front of the book, the original contribution has evolved into a total abstract drawing. -- Source of annotation: Marvin or Ruth Sackner.

Cover was designed by Rea Nikonova. Includes an introduction by Andryczuk and an essay by Pierre Garnier on constructivistic poetry. -- Source of annotation: Marvin or Ruth Sackner.

Jurgen Olbrich curated this exhibition of the following periodicals, all held by the Sackner Archive, e.g. Entwerter/Oder, Art/Life, Tiegel&Tumult, Arte Postale, Collective Copy, Eins von Hundert, Data File, Uni/Vers (;), and Commonpress. DOOs was also exhibited but is not held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.