Scope and Contents

Prints are highly enlarged segments of a small area of photocopied text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The text is composed of reproductions of labels made with a label-making machine. -- Source of annotation: Marvin or Ruth Sackner.

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The envelope miling this periodical was addressed to Luc Fierens, -- Source of annotation: Marvin or Ruth Sackner.

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Includes documentation of works by the "The Nomads." -- Source of annotation: Marvin or Ruth Sackner.

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The images from 32 artists in this exhibition were based upon their reaction to the Gulf war. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition catalogue consists of five, collaged, shopping bags that constituted the exhibition as documented by the 10 colored photographs in the catalogue. The inner covers of the cardboard folder are maps onto which the title words of the exhibition have been collaged. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This assembling was made to commemorate the exhibition of works from small artists' magazines, Arte Postale!, Art/Life, Collective Copy, Commonpress, Entwerter/Oder, UNI/vers (;), Data File, Eins von Hundert, and Tiegel und Tumult. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This special edition of the catalogue features an additional cover as a collage done by Emmett Williams and Jurgen Olbrich. The collage is done on the outer covers and the inner bck cover. The exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive...

Scope and Contents This special edition of the catalogue features an additional cover as a collage done by Klassen, Putz, Ruch and Warnke. Both outer and inner covers are collaged.The exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive holds most of the magazines...

Scope and Contents

This exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive holds most of the magazines exhibited in this show but does not own several mail art assemblings that originate from Germany. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Baroni provides an in-depth discussion of mail art with sections dealing with submovements, e.g., assemblings, fluxus, xerox art, etc. and sections dealing with major figures, e.g., Ray Johnson, Robin Crozier, etc. He also mentions the Sackner Archive as a resource for mail art. -- Source of annotation: Marvin or Ruth Sackner.