The image depicts a self-portrait of Phillips. -- Source of annotation: Marvin or Ruth Sackner.

The poem title on the background reads: " The Pun Of My Aunt" and the poem reads:" le superiority de standing - le curious arrangement - le shining; de viveur. - the hard monde of separation, - la world de conversation fresh - la lady, beautiful de rejoicing - la porte de douce trance cherie, - un swell chef de sometimes - o ma british douane - mon man le mistake." The original of this print is also held in the Sackner Archive that depicts the same image. -- Source of annotation: Marvin or Ruth Sackner.

The text reads "death? - is this not the sunshine? - lacing, playing a vagrant quesion- to elbow aside his own death - soon a sick shadow passed the air - elbow the probability." -- Source of annotation: Marvin or Ruth Sackner.

The text reads "Just take Goothe or Horace Duke - to show poetic life - no example, with music of Sir Walter Wellington - what a trifling locamotive - a butterfly gives meaning to miles of industry --poetry --let mego." The image is three silhouetted figures. -- Source of annotation: Marvin or Ruth Sackner.

The prints have been removed from the folder and placed in a mat, two to a mat. -- Source of annotation: Marvin or Ruth Sackner. Items were removed from matting and were returned to the original folder. Added: CEND.

The image of this print appears to be fragments of a British flag. The poem reads, "searching for the complete extreme picture - he had lately done enumerated horse flesh; and water billiards - English Art." -- Source of annotation: Marvin or Ruth Sackner.

The poem reads " A most magnificent kind of woners catalogue - DOCUMDNT the universe; and vanish - doumenti--libri----multa--admirandi! - at his bedside - all the reading of the thing with the stamp of art. tp ms and rs." Here Phillips is prising the Sackners' catalogue of their collection of concrete and visual poetry(1986) for which he also designed the cover. The same poem with a different image as a print with only 'tp' for Hansjorg Mayer publications catalogue is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The poem reads, "Her man - free and tender days of Poetry - pay day of happiness; and love - Tickets ready - for Liverpool and expectancy - the glimmering shores of yesterday receding." -- Source of annotation: Marvin or Ruth Sackner.

The poem reads "the gallery of a hundred years of a thousand is in every street - art in the street covered deep with pictures vivified". Includes part of a map cut out. -- Source of annotation: Marvin or Ruth Sackner.

This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

This version is actually unique because the final version was entirely printed. It has been designated as Opus 13. In addition, it includes Phillips' handwritten notations. Depicted in Tom Phillips: Works Texts To 1974, page 259. -- Source of annotation: Marvin or Ruth Sackner.

Notes read "Motto variation on Christian Wolff's 'Stones' (from Prose Selection). Little drops of water bore holes in stones. OP. XIII. / Stage proof [silkscreen with gouache] / Aquae guttae saxa excavant. / (Little drops of water bore holes in stones.)" Added: CEND.

This is another version of a drawing mentioned in Tom Phillips: Works Texts To 1974, page 250. The original drawing entitled, "C.Loopseend" (Opus 4) is in the collection of the Tate Gallery. It is stated that the work is a variant of Opus 2 but the piece is not depicted in the book. The Sackner drawing has the Letter 'I' appended to the title. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate print is inscribed to Sarah (sic). -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A text of this image reads, "Semiramis & Dido & Cleopatra & Helen of Troy & Achilles & Paris & Tristan Und Isole De & Romeo and Juliet & Anna Karenina & Emma." -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A text of this image reads, "Semiramis & Dido & Cleopatra & Helen of Troy & Achilles & Paris & Tristan Und Isole De & Romeo and Juliet & Anna Karenina & Emma." -- Source of annotation: Marvin or Ruth Sackner. Ten heads total on this print. Upper left has lime green head off paper. Added: CEND.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.