Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A Humument text of this image reads, "the Greek / mask / seemed to whisper of / romance / In fact he now under- / stood, for the first time fully, the degree to which his / stirred imagination, and / the power / began to / be / the / Sirens/ [blank] /to them / all" "-- I / gave myself up to the / tempting / call / of possibilities / fool of / futile dreaming" Added: CEND.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A Humument text of this image reads, "Already the dream of dreams he whispers - water blind imagination- speeding away piercing the dull - all came floating true men - o the very names - touch the sea -pouring past world to mountain -The green seen for a minute." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A Humument text of this image reads, "lovers / in horror, and / she / motionless, he / slowly filled with tears," "Her / judged / lips trembled /towards him," "passion / done for / -- I have no / emotion" "him / for me / emotion is gone, and / lost / the ghost of / fact / outgrown" "the case of the / emotions / now / withered/ lost soul / the fossil of a / former self / survives / the / mere ghost / of it." "o / perfect / days of romance are over;" "on / and / on" "in / all / ages / eve" "for / ever / eve" "eve / again. / put down the story of this...

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A text of this image reads, "Semiramis & Dido & Cleopatra & Helen of Troy & Achilles & Paris & Tristan Und Isole De & Romeo and Juliet & Anna Karenina & Emma." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. "the / grave / the / tail / end / rules / a / life ..." Added: CEND.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

Scope and Contents

Beaulieu made this book by tracing a line to each letter of Abbott's book "Flatland. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The print reads:" One man in the dusk is so much like another." - angel, it was Bill - instantly, "Instantly!" the shortest. - it is large saving yourself the delicacy - open the suction miss Gott! - Have no scruple in using me on you; no one depends on your tools, and begin about it. Bobby you pesth - "Irma! Irma!" under his breath, - let him die doctor in another sofa. - we got an intellectual silenced - then, never God! pain wince." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The print depicts deconstructed images all involving women. The texts read from image on left to right and top to bottom, "(1) a course in Sussex; (2) a photograph of a curious muse; (3) constant to the subject - the subject extended - he talked and his range came - pursuing the subject; (4) fair sex in various capitals - the politics show; (5) came across a picture of flesh; and circles - The Art revelation; (6) her, smiling her last. - they were Europe." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the program for the concert of the Composers Ensemble with Tom Phillips that included a performance of Phillips' opera "Irma." The concert was one event in the month long schedule of exhibitions highlighted by Phillips' retrospective at the Royal Academy. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image on this poster is a reproduction of a portrait by Tom Phillips entitled "Samuel Beckett at the Riverside Studio." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Depicts fragments of A Humument pages 213 and 116. The poem reads: "A Humument. dying to make you to take you in o lush neck - one of her chins overlapped Grenville for years; - A Humument. hailed the intelligence with delight. moving again-- moving - hoped the colours of his anticipations took place words. remained - share it, grow bright again. - A Humument. the paper back with a gentle voice hehehe hehehe hehe hehe A HU UMENT. chance words." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the first letter written to Marvin Sackner from Tom Phillips. Sackner was moved by Phillips' exhibition in the Basel Kunsthalle. The letter begins, "Thanks for your kind letter & your good wishes re - A Humument - it has been a long haul!" He goes on extending an invitation to visit him in London. -- Source of annotation: Marvin or Ruth Sackner.