Scope and Contents

This copy contains all the original typings for the edition, the manuscript text with corrections, and a copy of the printed trade edition. Each of the pages and typings are seperate entries into the database. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was written in 1956-1957. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book is an anthology of Ruhm's writings. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Gerhard Jaschke. The Sackner Archive also holds the hard copy issue of this work published in an edition of 100 copies. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Jurgen Egyptian [Internet Review]: As part of the "collected works" of Gerhard Ruhm is now part of the band 2.1 "visual poetry" before, which has been edited by Monika Lichtenfeld. She has, in its editorial afterword suggests that it is an "annotated reading and study issue" involved that is has been in close cooperation with the author about.The volume contains, divided into eighteen groups of works, some 680 works, of which almost half will be unveiled and document the one lasting more than half a century of work process. The most extensive chapter, the "schreibmaschinenideogramme" (p. 7-76), "typocollages" the (p. 87-234) and the "literary awards" (p. 297-540), which include the only the entire period of work related Ruhm . The sequence of work groups oriented that when each technique was dominant. Within each chapter a chronological arrangement was sought. Lichtenfeld pointed out that in the compilation of the material mainly technical issues played a role.In the first of these...

Scope and Contents

This catalogue consists of a listing of books and artworks in this exhibition; there is only one image - cover by ferdinand kriwet. The First International Exhibition of Concrete, Phonetic, and Kinetic Poetry was held in the Rushmore Rooms, St. Catharine's College, Cambridge, and sponsored by the Shirley Society in 1964 published a catalogue of four pages that is out of print and not in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Deals with an academic course in which the participating poets taught students; this catalogue prints representative concrete poems and supporting texts. -- Source of annotation: Marvin or Ruth Sackner.

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Includes essays and a conversation about aspects of Bayer's work by Jeremy Adler, Karlheinz Braun, Jorg Drews, Klaus Ramm, El Friede Gerstl, Wilfried Ihrig, Walter Ruprechter, Siegfried J. Schmidt, Franz Schuh, Gruppe 47, and Gerhard Ruhm. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Gibbs mentions his current travel plans and performances. He has favorable comments for a sound poetry festival. -- Source of annotation: Marvin or Ruth Sackner.

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In this book, Ruhm contrasts the behavior of men and women in concrete and constructivistic poetic terms. The pages are translucent such that overlapping poems can be seen as the pages are turned. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In this book, Ruhm contrasts the behavior of men and women in concrete and constructivistic poetic terms. The pages are translucent such that overlapping poems can be seen as the pages are turned. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Each print depicts a simple, erotic line drawing of part of a female figure on music score paper. In one print both a female and male are srawn -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Each print depicts an erotic line drawing of a female figure on music score paper. This portfolio is missing the signed colophon page. -- Source of annotation: Marvin or Ruth Sackner.