Text by W. deGref regarding T. Brugman's life and work and association with De Stijl and T. VanDoesburg. -- Source of annotation: Marvin or Ruth Sackner.

Illustrated and held by or formally held by the Sackner Archive are Dada Souleve Tout; Kleine Dada Soiree by Schwitters and van Doesburg; Petit Cabaret Fantastic by Zdanevich; Het Boek van PTT by Zwart; Die Scheuche by Schwitters, van Doesburg and Steinitz; and an alternative version of the book cover design for Lenin/Gorki by Chaschnik. -- Source of annotation: Marvin or Ruth Sackner.

The photocopied loose sheet is a price list. -- Source of annotation: Marvin or Ruth Sackner.

The six essays in this catalog provide a history of the contemporary correspondence art movement. -- Source of annotation: Marvin or Ruth Sackner.

This manuscript, published as a book that is also held by the Sackner Archive, was presented at the First International Symposium on Letterism. In the introduction, Failing focuses on Isou and mentions that James Joyce was his earliest inspiration. Takes up Lemaitre work when he is 24 years old and preparing his picture novel, Canailles. Note that even in his early works, Lemaitre's images can be distinguished from Isou in that they are more refined and contain a greater variety of shapes and lettering. -- Source of annotation: Marvin or Ruth Sackner.

The small drawings of airplanes with typed captions were done by Tissiman who signed the perforated page from which the drawings were cut. The drawings in turn were taped to each page in the booklet. The single page in Finlay's handwriting lists the text for the pages of the booklet. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of the book that was first published in 1961. -- Source of annotation: Marvin or Ruth Sackner.

This is a sumptiously illustrated and well annotated catalogue of early 20th century avant garde periodicals, posters, and books. The loose sheet accompanying the catalogue is a price list. -- Source of annotation: Marvin or Ruth Sackner.

The covers of the seven periodicals reproduced in this catalogue appear to have been printed with letterpress or lithography. -- Source of annotation: Marvin or Ruth Sackner.

Schwitters desscribes an imaginary dialogue between himself and his alter ego because "one is on one's own so much...!" -- Source of annotation: Marvin or Ruth Sackner.

Introduction by Edwina B. Evers. The catalogue depicts reproductions of the following books held by the Sackner Archive: Pamela Moore "Offset and Finely Pressed;" Jerome Rothenberg and Deborah Weier "A Merz Sonata;" Margaret Atwood "Snake Poems;" and David Ossman "Rainbow Cafe." The loose sheet is a price list. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalog. -- Source of annotation: Marvin or Ruth Sackner.

The essay by Monica J. Strauss traces the successful collaboration between fine and commercial artists in Germany between the wars and questions the "rigid distinctions between art and design" in contemporary times. -- Source of annotation: Marvin or Ruth Sackner.