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printed for Documenta (13) -- Source of annotation: Marvin or Ruth Sackner.

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This is a review of Lawernce Weiner's conceptual word works at Marion Goodman Gallery. -- Source of annotation: Marvin or Ruth Sackner.

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Peter Frank describes his experience working with Rolf Dittmar in curating the Artist Bookworks section of Documenta 1977. The cover consists of a text-based work by Carl Andre. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue lists examples of artistic ephemeral material (mainly exhibition announcements) for sale in a presentation that is designed with the cover and format like the art magazine, "Artforum" but which is titled "Artform." The annotations include reference to the 1986 catalogue of the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue defines, describes and illustrates, in an experiment graphic designed layout, mass produced editions of artists' books from the 1970's to the 1990's. This book is complementary to Johanna Drucker's book, "The Century of Artists' Books that dealt with unique and small editioned books. In an in-depth essay, Clive Phillpot analyzes the entire spectrum, including magazines, assemblings, manifestos, visual poetry, scores, documentation, sketchbooks, albums, graphic works, comic books, illustrated books, page art, mail art and bookworks. Martha Wilson is interviewed by Thomas Padon about the Franklin Furnace Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Amazon.com: "Lawrence Weiner (b. 1942) is one of the primary figures associated with the emergence of conceptual art in the 1960s. For over four decades, Weiner has defined art as a representation of relationships in the physical world, 'the relationship of human beings to objects and objects to objects in relation to human beings'. This highly anticipated publication represents the full range of Weiner's practice, from the early 1960s to the present, from his early paintings to his work in language, including works on paper, films, videos, books, and public commissions. Weiner adopted language as his primary material in 1968. According to his landmark "Statement of Intent", an oft-quoted declaration first published in 1969, each work can be constructed by the artist, fabricated by someone else, or need not be built at all and simply presented in language. Weiner's work is often manifested outside the gallery context, through postcards, billboards, lectures, or even on a series of...

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The text by Peter Boswell was adapted from the Los Angeles County Museum of Art exhibition catalogue. The books in the MAM exhibition were all lent by the Sackner Archive and by the Getty in the LACMA exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue raisonne produced by Dieter Schwartz reproduces all of Weiner's books. The drawing placed within the book near the title page reads "time after time page after page books do furnish a room." -- Source of annotation: Marvin or Ruth Sackner.

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Detail view. -- Source of annotation: Marvin or Ruth Sackner.

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The catalogue was written by Jeremy Sanders. -- Source of annotation: Marvin or Ruth Sackner.