Adler, Jeremy D.
Found in 45 Collections and/or Records:
A Human Document: Selections from the Sackner Archive of Concrete and Visual Poetry (cover only), 2013
Alphabet Music , 1972
Bill Griffiths silkscreened the prints.The loose sheet provides directions for reading the poem. -- Source of annotation: Marvin or Ruth Sackner.
[Alphabetical Poem], 1969
The drawing consists of stencilled letters of the alphabet that are randomly arranged. -- Source of annotation: Marvin or Ruth Sackner.
And all is dead - And nothing moves, 1968
In a personal communication to the Sackners, Adler commented that the poem in this drawing (last two lines) was based upon his first accomplished poem (Live to Circle). -- Source of annotation: Marvin or Ruth Sackner.
At Sunrise (Chinese-like lettering), 1968
In a personal communication to the Sackners, Adler commented that this poem-drawing was an attempt at a new visual alphabet equivalent to Chinese lettering. -- Source of annotation: Marvin or Ruth Sackner.
At the Edge of the World, 1994
Big Skies and Little Stones, 1987
Each page depicts clusters of small colored circles and Wolfgang Schmidt did the printing. The book of 100 copies is out of print and not held byh the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Chapbooks One to Ten / Cobbing, Bob, editor ; Pike J ; Burke H ; Adler J ; Radin B ; Griffiths B ; Cobbing B ; Trevor S ; Trevor J ; Setti F ; Vonna-Mitchell E., 1979
Designated Wallet Number Two. Includes the following pamphlets: 1) Bob Cobbing: Windwound, 2) Jennifer Pike: Slack stack, 3) Herbert Burke: Cinquains, 4) Jeramy Adler:The Little Fruit Gum Memory Book, 5) Jean Trevor: Wind whirled, 6) Stan Trevor: HE, 7) Betty Radin: Journeys, 8) Fernando Setti: News, 9) ee vonna-mitchell: Seam, and 10) Bill Griffiths: Sun-Card. -- Source of annotation: Marvin or Ruth Sackner.
[Concrete Poetry Collection of Andrew Belsey], 1997
In a Sequence of Dreams, 1968
[Letter for submissions to A, second issue], 1973
This letter requests submissions for the second issue (AB) of A magazine. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Peter Finch], 1972
This letter provides an explanation of Adler's "Scenario," a prose piece which is an allegorical interpretation of his poem, "Alphabet Music." The manuscript of "Scenario" was attached to the letter. -- Source of annotation: Marvin or Ruth Sackner.
Merkur (Im Zickzack), 2003
Article from the April 2003 edition of Merkur, Issue 648, Volume 57. English translation reads "Zigzagging: Towards a Modern Thought Figure". Handwritten note from Adler on the front reads "For Ruth + Marvin with affectionate greetings, Jeremy".
Poesia: Outras Escritas Novos Suportes, 1988
Curated by Fernando Aguiar. Works reproduced in catalog by Cesar Figueiredo held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Program Summaries of Text als Figur, 1987
Proof Copy: Bob Cobbing and Writers Forum , 1974
This manuscript documents the exhibition of Bob Cobbing & Writers Forum at Sunderland Arts Centre, published as Ceolfrith No.3. -- Source of annotation: Marvin or Ruth Sackner.
Technopaigneia, carmina figurata, and Bilder-Reime: Seventeenth-century figured poetry in historical perspective, 1982
Article from the 4th volume of Comparative Criticism: A Yearbook, reprinted.
The Electric Alphabet First Edition, 1986
A second deluxe edition illustrated by Jiri Sindler was published in 1996. -- Source of annotation: Marvin or Ruth Sackner.
Vowel Jubilee 2nd Edition, 1979
These prints were printed at the Fachhochchule Aachen first in May 1979 in an edition of 25 copies, then in August 1979 in 50 copies. The work is intended to be performed by two or more voices. They are stored together in a plastic envelope. In this copy, there is a duplicated 'U' print. -- Source of annotation: Marvin or Ruth Sackner.