Scope and Contents

This catalogue was edited by Rene Morales, curator at the PAMM museum, for the exhibition at the museum opening in the first week of December 2013. Johanna Drucker contributed in depth essay titled "Visual Poetics and the Technics of Conception." Rene Morales contributed "Imaged Words, Worded Images: A conversation with Ruth and Marvin Sackner." The contibutors cited consist of only those whose work is depicted in this catalogue. The image on the dust jacket was done by Jeremy Adler, the frontispiece by Tom Phillips and the end papers by Willem Boshoff. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue was edited by Rene Morales, curator at the PAMM museum, for the exhibition at the museum opening in the first week of December 2013. Johanna Drucker contributed in depth essay titled "Visual Poetics and the Technics of Conception." Rene Morales contributed "Imaged Words, Worded Images: A conversation with Ruth and Marvin Sackner." The contibutors cited consist of only those whose work is depicted in this catalogue. The image on the dust jacket was done by Jeremy Adler, the frontispiece by Tom Phillips and the end papers by Willem Boshoff. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is Carl Andre's first one man show in a musem and his first catalogue. Johannes Cladders wrote the German text for the book object. All the English texts are in Andre's own handwriting and appear to be printed offset though another process might have been used. On the folder cover, Andre writes, "A man climbs a mountain because it is there. A man makes a work of art because it is not there." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This catalogue documents the years 1977 to 1999; the years 1965 to 1976 are documented in an exhibition catalogue at MOMA 1978 (also held by the Sackner Archive). The brochure with this catalogue was printed by the Museum of Contemporary Art, Chicago Illinois. Designed by Sol LeWitt and Bethany Johns. With an exhibition history, bibliography and exhibition checklist. This is the massive catalogue issued in conjunction with a substantive 2000 traveling retrospective organized by the San Francisco Museum of Modern Art of over three hundred pieces by Sol LeWitt - the most comprehensive exhibition of work by the late, great minimal master to date. Beautifully designed by the artist with a selection of his own writings, it includes reproductions of many previously unpublished works as well as essays by Gary Garrels, Martin Friedman, Andrea Miller-Keller, Brenda Richardson, Anne Rorimer, John S. Weber and Adam D. Weinberg. On page 42, it is mentioned that one of the most important...

Scope and Contents

This listing includes modern illustrated books, British illustrated books, antiquarian books, contemporary artist's books, literature, photography, etc. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive holds two of the publications presented in this catalogue, Carl Andre's "American Drill" and Joseph Grigely's "Blueberry Surprise - Set." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This review of the exhibition "Carl Andre: Sculpture as Place, 1958- 2010" at Dia: Beacon is by Holland Cotter. It describes how "Writing poetry was Mr. Andre's initial calling...Even if he had not gone on to art, the poetry would be of interest. And in it, the sculptor-to-be is already evident. Mr. Andre has referred to his poems as 'typewriter drawings' and, in the spirit of Concrete poetry, their shape on the page is crucial to their effect." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue lists individual and group exhibitions of conceptual art as well as artists books. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The paper strip on the cover notes that the annual art event was postponed until 2002 because of the events of September 11, 2001. -- Source of annotation: Marvin or Ruth Sackner.