The Sackner Archive holds two of the publications presented in this catalogue, Carl Andre's "American Drill" and Joseph Grigely's "Blueberry Surprise - Set." -- Source of annotation: Marvin or Ruth Sackner.

This exhibition explores how the accordion fold has been used in the West within a variety of different printed matter contexts with a special emphasis on publications produced by artists from the 1960s onwards. -- Source of annotation: Marvin or Ruth Sackner.

Nancy Princenthal contributed an essay, "The Bookmakers' Odds: A Short, Subjective Survey of Recent Publications by Artists." The catalogue includes a sixteen page insert by Lawrence Weiner of conceptual art. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Martin Attwood. -- Source of annotation: Marvin or Ruth Sackner.

This book lists artists' books mainly from England, America and Germany by the year of publication. The books form the collection of the Library of the Chelsea School of Art (now the Chelsea College of Art and Design). Essays explore the history of b arts, Mallarme and Broodthaers, Russian Futurist book, Fluxus books, minimalist and conceptual books, feminist books and book collecting. A chronology, glossary and index provide reference material. Many books are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Barbara J. London. The catalogue consists of citations without images and consisted of trade edition books. -- Source of annotation: Marvin or Ruth Sackner.

The typed carbon drawing entitled, "Conquest Display" that was once held by the Sackner Archive is depicted in this catalogue. The poem "Flange Blade" (1966) [24.5 x 14 cm] that is depicted in this book was autioned for $114,343 in Chistie's London in 2012. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue is a second and augmented edition of the book first published in 1997. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published for the exhibition of the same title at the Bibliotheque Nationale which was attended by the Sackners. The works on display were predominantly conceptual and Fluxus works, with minimal examples of visual/verbal artists books and no Lettrist works. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue documents the tenth anniversary event of Art Metropole with reproductions of pages or covers of the bookworks in the collection of this institution. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Wendy Woon. Nancy Tousley contributed an essay tracing the history of artists' books in Canada and the United States. Felipe Ehrenberg's essay describes his work as a book artist in England and Mexico. -- Source of annotation: Marvin or Ruth Sackner.