The catalogue includes a brief interview of Clark Coolidge, the poet, and another of Don Russell on Artists' Books. -- Source of annotation: Marvin or Ruth Sackner.

This is Andrews third book. The poems are composed with clusters of single and fragmented words whose content anticipates Andrews' more developed language poetry style. An introductory manifesto describes this new poetry. The cover design incorporates typed concrete poetry on th back cover. -- Source of annotation: Marvin or Ruth Sackner.

This disc includes several biographical portraits of contemporaries in computer generated visual poems, a section dealing with a Sufi prophet, Muslih Al Din Saadi of Shiraz, an animated clip of David Daniels life and philosophy done by Regina Celia Pinto, and an interview of David Daniels. -- Source of annotation: Marvin or Ruth Sackner.

This disc includes several biographical portraits of contemporaries in computer generated visual poems, a section dealing with a Sufi prophet, Muslih Al Din Saadi of Shiraz, an animated clip of David Daniels life and philosophy done by Regina Celia Pinto, and an interview of David Daniels. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Peter Ganick. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Peter Ganick. -- Source of annotation: Marvin or Ruth Sackner.

This is the poet's first or second book. -- Source of annotation: Marvin or Ruth Sackner.

This is the first book published by Andrews. In it, he provides a definition of language poetry, viz., a) fragmentation and quality of words other than (and along with) their meaning, b) stress on texture, sound, rhythm, space and silence, c) less "content" (in the old sense) but hopefully the "language" becomes the content and d) the "individual" words have meanings and associations but these are not yoked together and aimed "outside the poem" at a single externally applied meaning for a poem as a whole. -- Source of annotation: Marvin or Ruth Sackner.

This book provides the scores of multi-media performances and collaborations with the choreographer, Sally Silvers, between 1980 and 1984. The cover was designed by Kenneth Goldsmith. -- Source of annotation: Marvin or Ruth Sackner.

The typographic layout approaches concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

The typographic layout approaches concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

The typographic layout approaches concrete poetry. Bernadette [Mayer] heads The Poetry Project in NYC. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Ray DiPalma. -- Source of annotation: Marvin or Ruth Sackner.