Cover was designed by Rea Nikonova. Includes an introduction by Andryczuk and an essay by Pierre Garnier on constructivistic poetry. -- Source of annotation: Marvin or Ruth Sackner.

Drawings are mainly calligraphic in content. -- Source of annotation: Marvin or Ruth Sackner.

Card mailed to Marvin Sackner with a drawing of Sackner's imagined portrait by Andryczuk. -- Source of annotation: Marvin or Ruth Sackner.

All the color illustrations of Andryczuk's drawings are tipped onto the pages. The prints and drawing are housed in an insert on the inside of the back cover. -- Source of annotation: Marvin or Ruth Sackner.

The images deal with interpretations of self-portraits as concrete, visual, and conventional poetic ideas. -- Source of annotation: Marvin or Ruth Sackner.

Cards and objects of the same dimensions are stacked between two square, thick wooden plywood boards that are held together by two long screws with flanged nuts. The word "between" is printed on the cover board and blind embossed on the dividing handmade thick paper sheets. Most of the artwork relates directly to the theme of this assembling, e.g., 'zwischen' in German, 'between' in English. This theme is expressed in both verbal and visual images. -- Source of annotation: Marvin or Ruth Sackner.

Cards and objects of the same dimensions are stacked into a pyramid shaped, brightly printed, colored box. The artists and poets contributed one or several pieces to this assembling. The ceramic object made by Axel Fabry is a replica of a sunny-side up egg. The booklet is made like a sandwich. All other sheets relate to the theme of food. -- Source of annotation: Marvin or Ruth Sackner.

Andryczuk used found, antique sheet music as a the surface for his visual poetic, surrealistic drawings and collages. -- Source of annotation: Marvin or Ruth Sackner.

The object is a decorated, old, wireless telephone. -- Source of annotation: Marvin or Ruth Sackner.