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Barry, Robert, 1936-

 Person

Found in 22 Collections and/or Records:

1969-1970 / Barry, Robert., 1970

 Item
Identifier: CC-22985-23422
Scope and Contents

Edited by Germano Celant. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

art & project bulletin: exhibition. No.20 / Gilbert & George., 1970

 Item
Identifier: CC-48082-69105
Scope and Contents

This publication was mailed to Wally Depew from Tokyo. This issue depicts two reproductions of graphite drawings, one of Gilbert and the other of George dated 1970. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Come On / Barry, Robert., 1987

 Item
Identifier: CC-23432-23876
Scope and Contents

The printing was done with grey ink on lavender colored stock. Words, phrases or fragments are printed to form a spiral on the recto-verso sides when the pages are slowly flipped. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Live in your head: When Attitudes Become Form. Works, Concepts, Processes, Situations, Information / Harald Szeemann, curator ; Andre C ; Anselmo G ; Barry R ; Beuys J ; Bochner M ; Burgin V ; Darboven H ; Dibbets J ; Haacke H ; Hesse E ; Huebler D ; Keinholz NR ; Kosuth J ; LeWitt S ; McLean B ; Medalla D ; Nauman B ; Oldenburg C ; Pascali P ; Raetz M ; Ruppersberg A ; Smithson R ; Tuttle R ; Walther F ; Weiner L ; Wiley WT ; Klein Y ; Merz M., 1969

 Item
Identifier: CC-53183-74335
Scope and Contents

This exhibition and catalogue was curated by Harald Szeemann; Charles Harrison organized the London exhibition. This catalogue consists of a suite of 78 single leaves with photo and biographical information of the artists and their works, alphabetically arranged with cardboard thumb index. This is the Second enlarged edition of the famous Szeemann catalogue on conceptual art. The exhibition was held in the Kunsthalle Bern (Switzerland) in March and April 1969 and moved to London in the fall of the same year, where the show was curated by Charles Harrison and sponsored by Philip Morris Europe, as stated on the title leaf of the present catalogue. As Charles Harrison explains in his forword, the London catalogue was supplemented without withdrawal of any material from the original catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Poetische Positionen III / Jurgen O. Olbrich, curator ; Barry R ; Godard K ; Gut H ; Skuber B ; Stake C., 2006

 Item
Identifier: CC-54547-990004
Scope and Contents

This catalogue has two loose trading cards by Chuck Stake along with a chronology of the art form. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Projects Class / Anonymous; Barry R; Dibbets J; Weiner L; Huebler D; N.E. Thing; Kosuth J; Bochner M; Smithson R; Graham D; LeWitt S; Lippard L; Byars JL., 1969

 Item
Identifier: CC-43856-45954
Scope and Contents

Important conceptual art piece that gives instructions by each artist to a Projects Class. Byars gave his instructions in microscopic text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Travaux Publics [Public Works] / Foolen, Peter, editor; Barry R; Benson S; Clark TA; Coppelmans D; Devereux R; Finlay IH; Fulton H; Gordon D; Holzer J; Jugnet AM; Kosuth J; Locher T; Long R; Renno R; Waanders H; Weiner L; Zaugg R., 1996

 Item
Identifier: CC-27643-28725
Scope and Contents The prints in this portfolio are language based, generally as conceptual texts. Ian Hamilton Finlay contributes a silkscreened text, printed in alternating green and purple letters, refering to gardens, ruins and the French Revolution. The text of Hamish Fulton relates to his walks in the country. Jenny Holzer lists "Truisms" in a print that has been folded. A black and white photograph of a brick wall by Joseph Kosuth is overlaid with a printed quote from in Dutch by Piet Mondrian. Richard Long presents "A Cloudless Walk" printed in white capital letters on a sky blue background. Lawrence Weiner's silkscreened print "The Salt of the Earth Mingled with the Salt of the Sea" gives an appearance that these words have been handcolored with red crayon. Remy Zaugg made an aquatint composed of three words, Grauw Beeld Blind, in a gray color on a background of a lighter gray color. Hans Waander's silkscreened concrete poetic print is composed of the words, Kingfish, kingfisher, fisherman,...
Dates: 1996

Travaux Publics [Public Works] / Peter Foolen, editor ; Barry R ; Benson S ; Clark TA ; Coppelmans D ; Devereux R ; Finlay IH ; Fulton H ; Gordon D ; Holzer J ; Jugnet AM ; Kosuth J ; Locher T ; Long A ; Renno R ; Waanders H ; Weiner L ; Zaugg R ; Mallarme S ; Apollinaire G ; Marinetti FT ; Ball H ; Schwitters K ; Tzara T ; Lissitzky E ; VanDoesburg T ; Werkman HN ; Broodthaers M., 1996

 Item
Identifier: CC-30584-32021
Scope and Contents

Each participating artist was invited to make a proposal for a work in public space and a work for a portfolio. These artists all use text and language for their works. An introductory essay by Tjeu Teeuwen traces the relationship between text and image from early religious works through the influences of Mallarme, cubist collages, calligrams, futurism, dada, constructivism, De Stijl, concrete poetry, fluxus and conceptual art. Essays are also included on art in public places and nomadic art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Additional filters:

Subject
Conceptual art 11
Critical text 6
Concrete poetry 4
Documentation 2
Visual poetry 2