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Beining, Guy R., 1938-

 Person

Dates

  • Existence: 1938 September 26

Nationality

American

Found in 47 Collections and/or Records:

A Bicentennial Piece of Mind: Prophets of Twenty Decades of History, 1976

 Item — Box 333: [Barcode: 31858072491024]
Identifier: CC-31553-33048
Scope and Contents

A single neo-dadaistic phrase is printed for each year from 1776-1975. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Atticus Review. No.10, 1985

 Item — Box 333: [Barcode: 31858072491024]
Identifier: CC-31032-32494
Scope and Contents

This issue was edited by Harry Polkinhorn. It is a survey of Beining's work beginning with a critical essay by Polkinhorn, an interview of Beining, stoma poems of Beining, photocopied visual and visual poetic collages, and photocopied reproducions of concrete and typewriter poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Axiom of a Torn Pulley, 1995

 Item — Box 333: [Barcode: 31858072491024]
Identifier: CC-31578-33075
Scope and Contents

Of 42 copies published, 30 were distributed to the friends of author and publisher; only 12 were sold to the public. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Book of Elevations, 1994

 Item — Box 333: [Barcode: 31858072491024]
Identifier: CC-31571-33067
Scope and Contents

Each of the pages depicts a reproduction of a handwritten visual poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Carved Erosion , 1995

 Item
Identifier: CC-31572-33068
Scope and Contents

A minimalist poem (many of which have a concrete poetic sensibility) is printed one to each page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

City Shingles, 1977

 Item — Box 333: [Barcode: 31858072491024]
Identifier: CC-31582-33079
Scope and Contents

Also designated La-Bas Chapbook No.1. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Heads & H&Z, 1985

 Item — Box 281: [Barcode: 31858072460649]
Identifier: CC-19604-19990
Scope and Contents

This anthology Includes reprints of a selection of curry's publishing activities focusing on his rubberstampings of minimalistic and concrete poems of his own and his circle of poets. Dean comments: this making precious of the single poem was the result of necessity as much as esthetic deliberation; curry published within a finite small budget. This could have caused poor-quality production, i.e. Gestetner, offset or xerox. Instead it resulted in hand-stamp, hand-set rubber type, as his chosen (& unique) means of publication. His scaled down book remained both anarchic and typographically refined. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985