Three pages taken for consideration by Favretto 2016, Two loose pages: Thou and Thou into dover futtering, Honeyblood of jese green the color of the grass (signed at bottom). One mounted page on board Avenue six flights up ten fifteen Longwood avenue (with hand painted paper collage, painting of soldier face, stamps). -- Source of annotation: Marvin or Ruth Sackner.

The poems by Kohav were translated by Hirschman. The covers were drawn by Tom Loretta and the figurative line drawings within the book by Tom Loretta and S. Kaner. -- Source of annotation: Marvin or Ruth Sackner.

The poems by Kohav were translated by Hirschman. The covers were drawn by Tom Loretta and the figurative line drawings within the book by Tom Loretta and S. Kaner. -- Source of annotation: Marvin or Ruth Sackner.

Jack Hirschman contriburtes an introductory essay describing Glik's poems and songs as personifying the creed of Partisans against Nazism particularly in Vilna , Lithuania. "When the news of the Waqrsaw Ghetto uprising reached the Vilna ghetto, it inspired Hirsh to write his famous song-poem "Zog Nit Keynmor (Don't Ever Say)"... In a short time and with amazing speed, Hirsh Glik's song became the anthem of the Resistance: It swept through the ghettos and camps and became known as "the Song of the Partisans." -- Source of annotation: Marvin or Ruth Sackner.

Work done in homage to Asa Beneviste, the American expatriate poet/publisher, who died in Yorkshire at age 64 of diabetes. The signs derive from original Welsh alphabets as Wales is closest to both Beneviste and Hirschman. -- Source of annotation: Marvin or Ruth Sackner.

This book was done to commemorate the death of Bob Kaufmann, a fellow communist poet who lived in the North Beach section of San Francisco and was a good friend of Hirschman. -- Source of annotation: Marvin or Ruth Sackner.