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Review of an exhibition at Leubsdorf Art Gallery, Hunter College, New York titled, "A Painter's Poet: Stephane Mallarme and His Impressionist Circle." The Sackner Archive also contains the catalogue of this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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After the breakup of Yugoslavia in 1991, Ljubljani became the capital of the sovereign country of Slovenia. -- Source of annotation: Marvin or Ruth Sackner.

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Every Revolution Is a throw of the Dice by Daniele Huillet and Jean-Marie Straub describes the process of making "A Throw of the Dice..." by Mallarme into a film. Cha had a short life (1951-1982). She was murdered months after her marriage by a security guard in the Tuck Building NYC. -- Source of annotation: Marvin or Ruth Sackner.

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This is the second edition of the book that was first published in 1961. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive lent the following books to this exhibition: P. Buzzi's "L'Ellisse e la Spirale," F. Cangiullo's "Poesia Pentagrammata," D. Burliuk, V. Burliuk, and V. Khlebnikov's "Zatychka," P-A. Birot's "La Joie des Septcouleurs," E. Lissitzky and I. Erenburg's "Shest'povesti o Legkikh," E. Lissitzky and S. Telingater's "Polygraphic Union Exhibition Catalog," S. Telingater and A. Bezymenskii's "Komsomolia," and S. Telingater's "Chudozhestvennaia." -- Source of annotation: Marvin or Ruth Sackner.

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The introductory essay was written by Jeffrey Abt. The catalogue was designed by Buzz Spector. -- Source of annotation: Marvin or Ruth Sackner.

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The books exhibited were part of the collection of Arthur and Elaine Cohen, owners of Ex Libris, NYC. -- Source of annotation: Marvin or Ruth Sackner.

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This is a review of the exhibition at the New York Public Library "French Book Arts / Livres d'Artistes: Artists and Poets in Dialogue." The show originates from the collection of the Biblioteque Litteraire Jacques Doucet in Paris along with many items from the NYPL special collections. -- Source of annotation: Marvin or Ruth Sackner.

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This book includes a reproduction of a calligram by Apollinaire and a reproduction of a military formation using letters. -- Source of annotation: Marvin or Ruth Sackner.

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This book includes a reproduction of a calligram by Apollinaire and a reproduction of a military formation using letters. The Sackner Archive also holds the first edition that was printed in French. This reprinted edition is an English translation. -- Source of annotation: Marvin or Ruth Sackner.

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Schwenger provides a critical analysis of the book, "Codex Seraphinianus" by Luigi Serafini (a work held by the Sackner Archive) . -- Source of annotation: Marvin or Ruth Sackner.

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There were 500 copies of this book in the hard cover and 800 copies in the soft cover edition. The exhibition was organized by the University of California at Berkeley Museum. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This poem-object-book-work was created by Albert Dupont in tribute to the 100th anniversary of the publication of "Un Coup de Des" by Stephane Mallarme in 1897. A wooden box contains the book with five removable, acrylic cubes positioned on the spine. Each cube is incised and colored in ink on all surfaces with Lettrist symbols or texts. The book consists of a portfolio paper cover and a nine page essay. A second book consists of translucent acetate pages with handdrawn Lettrist symbols and words within a plastic slipcase. A third translucent acetate book is an actual reproduction of "Un Coup de Des." Because of the transparent quality of the pages, it is possible to view the literary text in a deeper, emerging three dimensional form.In homage to Mallarme, Dupont writes, "Since the famous poem 'Un Coup de des n'abolira le hasard', published at the end of the 19th Century, Stephane Mallarme has opened up the field of all the poetic researches of the 20th Century, specially by...

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This work consists nine, unbound, folded prints which contains 68 plates each related to a page of Mallarme's Un Coup de Des. The interpretations are similar in concept to Marcel Broodthaers work (also held by the Sackner Archive) in which each phrase of the poem is cancelled with a solid black rectangle. In Fraenkel's interpretation, from the 1897 Cosmopolis version, the spaces between the cancelled text are reconstructed with hand-drawn markings. In the Schult modification of Fraenkel's presentation, varied colors rather than black are utilized. -- Source of annotation: Marvin or Ruth Sackner.