Glueck describes Marinetti's expression of Simultaneity (perceptual registration of many things happening at once) in poetry that he called parole in liberta or words in freedom. "He combined onomatopoetic word fragments, numbers, symbols and typographical effects in a format that stormed the viewer's eye, making poetry a visual rather than an auditory experience...These words in freedom compositions obviously played a role in the developement of concrete and other visual poetry of la -- Source of annotation: Marvin or Ruth Sackner.

This manuscript, published as a book that is also held by the Sackner Archive, was presented at the First International Symposium on Letterism. In the introduction, Failing focuses on Isou and mentions that James Joyce was his earliest inspiration. Takes up Lemaitre work when he is 24 years old and preparing his picture novel, Canailles. Note that even in his early works, Lemaitre's images can be distinguished from Isou in that they are more refined and contain a greater variety of shapes and lettering. -- Source of annotation: Marvin or Ruth Sackner.

Publication lists partial holdings of the collection. -- Source of annotation: Marvin or Ruth Sackner.

Program to celebrate the tenth anniversary of Franklin Furnace. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This is a sumptiously illustrated and well annotated catalogue of early 20th century avant garde periodicals, posters, and books. The loose sheet accompanying the catalogue is a price list. -- Source of annotation: Marvin or Ruth Sackner.

This book provides a densely illustrated, overview of avant garde page design from 1900 to 1950. -- Source of annotation: Marvin or Ruth Sackner.

Includes a review of French shaped poetry written prior to Mallarme. In this book, calligraphic poems of Apollinaire have been translated into the Czech language -- Source of annotation: Marvin or Ruth Sackner.

The books exhibited were part of the collection of Arthur and Elaine Cohen, owners of Ex Libris, NYC. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of "Books as Art," an exhibition held at the Boca Raton Museum to which the Sackner Archive lent 50 books. -- Source of annotation: Marvin or Ruth Sackner.

This is the second revised edition that includes the proceedings of a symposium in which the Sackners took part. Timothy Eaton curated this comprehensive exhibition of book art and in the preface acknowledges the Sackner Archive as "the premier contributors with the loan of fifty works..." All the authors contributing an essay to this catalog signed the book. -- Source of annotation: Marvin or Ruth Sackner.

This is the second revised edition that includes the proceedings of a symposium in which the Sackners took part. Timothy Eaton curated this comprehensive exhibition of book art and in the preface acknowledges the Sackner Archive as "the premier contributors with the loan of fifty works..." -- Source of annotation: Marvin or Ruth Sackner.

This is the third edition of the catalog. -- Source of annotation: Marvin or Ruth Sackner.

Consists of five reprints of futurist manifestos with critical comments by Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Luciano Caruso and Sonia Puccetti. This is a reprint of a magazine published in 1931. -- Source of annotation: Marvin or Ruth Sackner.