McCaffery, Steve, 1947-
Person
Dates
- Existence: 1947 January 24
Nationality
British (born), Canadian (based)
Found in 100 Collections and/or Records:
7 Poets/Poems / Helmes, Scott, editor; McCaffery S; Gallo P; Danon B; Blaine J; Helmes S; Higgins D; Rosenberg MR., 1994
Item
Identifier: CC-09778-9971
a fusion of high production.... / Underwhich Editions ; Nichol bp ; McCaffery S ; Barreto-Rivera R ; Dedora B ; Schafer M ; MacLow J., 1979
Item
Identifier: CC-31518-33011
A Pen, Some Paper, Many Dreams & Other Eye Movements / Nations, Opal L. ; McCaffery S ; Richter H ; Peret B., 1979
Item
Identifier: CC-38294-40190
Abacus: from The Theory of Sediment. No.55/Jan / Steve McCaffery., 1991
Item
Identifier: CC-26540-27009
Scope and Contents
Edited by Peter Ganick. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1991
Alcheringa. No.1 / Dennis Tedlock, editor ; McCaffery S ; Robertson K., 1977
Item
Identifier: CC-25412-25869
Archive for Underwhich Recordings Bibliography / curry, jw; McCaffery S; Fencott PC; Owen Sound; Wendt L; Four Horsemen; Truhlar R; Cobbing B; Musgrove K; Nichol bp; UU D; bissett b; Tekst; Dean M; Zibens M; Claire P; Coleman V; Laba M; Ross S; Dutton P; Barreto-Rivera R., 1993 - 1994
Item
Identifier: CC-20778-21184
Scope and Contents
curry writes that Underwhich Editions began in 1978 as a consortium of publishers and poets gathered to publish the catalog for the 11th International Festival of Sound Poetry held in Toronto 1978. The group comprised Dean, Nichol, McCaffery, Truhlar Riddel, S. Smith, Dedora, & Dutton. Their first publication edited by McCaffery & Nichol was "Sound Poetry A Catologue," released in time for the festival. The audiographic series began in 1979 with seven titles emphasizing sound poetry up until 1983. Through the influence of Truhlar, music was introduced into the listings after 1983. curry provides an annotated bibliography of the recordings that were published as well as a three tape cassette bp Nichol recording of The Martyrology Books I-IV that was never published. This archive contains two similar versions of an introductory essay, one entitled "Cultural Clutter: The Needle, The Works," the other, "Needling Theehead with a Laser: Inder Which Works." -- Source of...
Dates:
1993 - 1994
Avec. No.1 / Broughton J ; McCaffery S ; Hejinian L ; Grenier R ; Bromige D ; Benson S ; Eigner L ; Andrews B ; Burroughs WS ; Codrescu A ; Hollo A ; Wilson SC., 1988
Item
Identifier: CC-34960-36675
Berkeley Horse, The: Ruth. No.43/Jan / bp Nichol ; McCaffery S., 1993
Item
Identifier: CC-23600-24047
Scope and Contents
Produced by David UU. This poem was first published as Luv 5, in 1967 by Fleye Press. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1993
Blind Date / Hull, Stephen, editor ; McCaffery S ; Altschuler B ; Shaw J., 1998
Item
Identifier: CC-41774-43769
Scope and Contents
Blind date refers to a projenct in which an artwork is provided to a writer who provides an impression not a criticism. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1998
Bouma Shapes: Shorter Poems 1974-2002, 2002
Item
Identifier: CC-42223-44228
Capilano Review, The: Sound Poetry. No.31 / Richard Truhlar, Steven Smith, editors ; Nichol bp ; McCaffery S ; curry jw ; Schafer RM ; bissett b ; UU D ; smith s ; Dean M ; Truhlar R ; O'Huigin S ; Owen Sound ; Schnebel D ; Dutton P ; Shikatani G ; bissett b ; Kearns L ; Rosenblatt J ; Birney E., 1984
Item
Identifier: CC-16716-17071
Scope and Contents
Includes group photograph of artists assembled for the 11th International Festival of Sound Poetry in Toronto, 1978. The record is selections of Canadian sound poetry. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1984
Carnival: The First Panel 1967-1970 / McCaffery, Steve., 1973
Item
Identifier: CC-38154-40048
Scope and Contents
The card is an instruction sheet for assembling the panel from pages in the book; the loose sheet is an errata sheet.In the introduction to Carnival Panel Two, McCaffery comments on Panel One. "Carnival is planned as a multi-panel language environment, constructed largely on the typewriter and designed ultimately to put the reader, as perceptual participant, within the center of his language.The roots of Carnival go beyond concretism (specifically that particular branch of concrete poetry termed the `typestract' or abstract typewriter art) to labyrinth and mandala, and all related archetypal forms that emphasize the use of the visual qualities in language to defend a sacred centre. Pond's vorticism also forms part of the grid of influences, and on one level at least, Carnival can be seen as an attempt to abstract, concretize and expand Pound's concept of the image as the circular pull of an intellectual and emotional energy. Above all it is a structure of strategic...
Dates:
1973
Carnival: The Second Panel 1970-1975 / McCaffery, Steve., 2009
Item
Identifier: CC-50444-71512
Scope and Contents
Paul Collins and Simon Moor were responsible for the design of this poster, -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2009
Carnival: The Second Panel 1970-1975 / McCaffery, Steve ; Pound E., 1975
Item
Identifier: CC-38155-40049
Scope and Contents
In the introduction to this book, McCaffery comments as follows. "Panel Two is largely an expression of language emerging into conflict and internecine statement conveyed in the variety of mechanical means of expression that's employed. It was predicated on a felt implication in Saussure's assertion that language is differential and oppositive at its base. Having discovered, explored and tested the parameters of the typewriter in Panel One, Panel Two places the typed mode in agonistic relation with other forms of scription: xerography, xerography within xerography (i.e. metaxerography and disintegrative seriality), electrostasis, rubber-stamp, tissue texts, hand-lettering and stencil. The compositional problem was in finding a form large enough to accommodate these conflicts and what arose as a solution was the interlocking single page to form a sixteen unit panel with the offset book format (to be abandoned in the process of assembling the panel) constituting the final stage in...
Dates:
1975
Carnival: The Third Panel 2010 / McCaffery, Steve., 2010
Item
Identifier: CC-53705-642796
Scope and Contents
This print was made by overprinting Panels I & II of the original Carnival texts. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2010
Courier: An Anthology of Concrete and Visual Poetry, 1999
Item — Box 290: [Barcode: 31858072460698]
Curvd H&Z: Capture. No.87/Mar / Steve McCaffery., 1981
Item
Identifier: CC-18207-18579
Scope and Contents
Also designated pomez a penny #54 and th wrecking ballzark #25. This is the 2nd edition of the poem which was first published by Ganglia in 1969. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1981
Curvd H&Z: Summary. No.116/Dec / Steve McCaffery., 1981
Item
Identifier: CC-18233-18605
Scope and Contents
Also designated pomez a penny #75. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1981
Curvd H&Z: Ten Sephardic Translations. No.289/Aug / Richard Truhlar ; McCaffery S., 1984
Item
Identifier: CC-19338-19721
Additional filters:
- Subject
- Concrete poetry 22
- Conventional poetry 15
- Performance poetry 15
- Language poetry 14
- Critical text 13
- Documentation 11
- Conventional non-fiction 10
- Sound poetry 9
- Visual poetry 9
- Typewriter poetry 8
- Experimental fiction 5
- Conventional fiction 4
- Text over text 4
- Visual art 4
- Calligraphic text 3
- Letter picture 3
- Artist book 2
- Bibliography 2
- Colored text 2
- Conceptual text 2
- Constructivism 2
- Found poetry 2
- Fragmented text 2
- Minimalist poetry 2
- Picture poetry 2
- Postmodernist fiction 2
- Typewriter art 2
- Aphorism 1
- Artist book (citation) 1
- Assembling 1
- Comic strip art 1
- Diagram 1
- Film 1
- Graphic design 1
- Haiku 1
- Language art 1
- Linguistics 1
- Manifesto 1
- Map 1
- Political poetry 1
- Pre-Mallarme work 1
- Reference text 1
- Repetitious text 1
- Semiotic poetry 1
- Shaped poetry 1
- Surrealism 1
- Visual/verbal 1 + ∧ less
∨ more