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Sackner, Marvin A., 1932-2020

 Person

Found in 399 Collections and/or Records:

10th Anniversary / Golden, Alisa, editor ; Sackner RK ; Sackner MA., 1994

 Item
Identifier: CC-10578-10783
Scope and Contents

Mentions that Golden's works are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

25 Years: the Book Art Movement 1974-1999 / Minsky, Richard; Sackner MA; Sackner RK., 2001

 Item
Identifier: CC-37686-39560
Scope and Contents

This paper was presented an the SHARP 2001 Conference. The Sackner Archive is mentioned as providing crucial support to many authors working in the field of book arts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

73 Poems / Goldsmith, Kenneth ; Sackner MA., 1993

 Item
Identifier: CC-10440-10644
Scope and Contents

Kate Rawlinson, Director of Galleries, acknowledges the "aesthetic insight and generous assistance in bringing this exhibition together." Marvin Sackner contributed an essay describing his relationship as a collector to the artist and his work. Sackner also coins the term Rap Concrete Poetry to describe the work in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

120, 2012

 Item — Box 171: [Barcode: 31858072459229]
Scope and Contents

This box was a gift to Marvin Sackner from his daughter Sara, and her family, on his 80th birthday. Each card reads "Happy 80th Birthday, Dad-Ta! May you live to be... 120. Love always! Sara Andy Zach Eli Albert." Every card is numbered 1-83, and the last card explains the rules of playing the game "120."

Dates: 2012

1995/2000 / Guillot, Anna ; Miccini E ; Sackner MA ; Sackner RK., 2001

 Item
Identifier: CC-39636-41595
Scope and Contents

The Sackner Collection is mentioned as holding Guillot's work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

A Century of Artists Books / Castleman, Riva, editor ; Sackner MA ; Sackner RK ; Jarry A ; Iliazd ; Ting W ; Kruger B ; Ernst M ; Rozanova O ; Lissitzky E ; Malevich K ; Duchamp M ; Dubuffet J ; Roth D ; Broodthaers M ; Tapies A ; Breton A ; Johns J., 1994

 Item
Identifier: CC-20675-21077
Scope and Contents

This survey focuses more on the traditional illustrated book (Livre d'Artiste) than its title as contemporaneously defined. The dust jacket reproduces a detail of the Transsiberian Railroad by Cendrars and Delaunay, a work held by the Sackner Archive. Indeed, several books exhibited and reproduced in this catalogue are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

A Conversation with Franklin Furnace / Edgar, Anne; Wilson M; Sackner RK; Sackner MA., 1985

 Item
Identifier: CC-14302-14610
Scope and Contents

Martha Wilson, founding director, traces the history of Franklin Furnace. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

A Human Document: Selections from the Sackner Archive of Concrete and Visula Poetry / Rene Morales, curator ; Collins T ; Drucker J ; Sackner MA ; Sackner RK ; Adler J ; Andre C ; Apollinaire G ; Berman W ; Boshoff W ; Broodthaers M ; Cahun C ; DeCampos A ; Chashnik IG ; Crumb C ; Debord G ; Depew W ; Dettmer B ; Fahlstrom O ; Ferrari L ; Finlay IH ; Giorno J ; Goldsmith K ; Houedard DS ; Isou I ; Johnson R ; Krecker D ; Laffoley P ; levy da ; Macia C ; Mahdaoui N ; Bencheikh JE ; Malevich K ; Rozanova O ; Mallarme S ; Marinetti FT ; Mon F ; Mutel D ; Padin C ; Phillips T ; Rodchenko A ; Scher P ; Telingater S ; Thomas D ; Zush., 2013

 Item
Identifier: CC-58132-10001383
Scope and Contents

This catalogue was edited by Rene Morales, curator at the PAMM museum, for the exhibition at the museum opening in the first week of December 2013. Johanna Drucker contributed in depth essay titled "Visual Poetics and the Technics of Conception." Rene Morales contributed "Imaged Words, Worded Images: A conversation with Ruth and Marvin Sackner." The contibutors cited consist of only those whose work is depicted in this catalogue. The image on the dust jacket was done by Jeremy Adler, the frontispiece by Tom Phillips and the end papers by Willem Boshoff. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

A Human Document: Selections from the Sackner Archive of Concrete and Visula Poetry / Rene Morales, curator ; Collins T ; Drucker J ; Sackner MA ; Sackner RK ; Adler J ; Andre C ; Apollinaire G ; Berman W ; Boshoff W ; Broodthaers M ; Cahun C ; DeCampos A ; Chashnik IG ; Crumb C ; Debord G ; Depew W ; Dettmer B ; Fahlstrom O ; Ferrari L ; Finlay IH ; Giorno J ; Goldsmith K ; Houedard DS ; Isou I ; Johnson R ; Krecker D ; Laffoley P ; levy da ; Macia C ; Mahdaoui N ; Bencheikh JE ; Malevich K ; Rozanova O ; Mallarme S ; Marinetti FT ; Mon F ; Mutel D ; Padin C ; Phillips T ; Rodchenko A ; Scher P ; Telingater S ; Thomas D ; Zush., 2013

 Item
Identifier: CC-58136-10001388
Scope and Contents

This catalogue was edited by Rene Morales, curator at the PAMM museum, for the exhibition at the museum opening in the first week of December 2013. Johanna Drucker contributed in depth essay titled "Visual Poetics and the Technics of Conception." Rene Morales contributed "Imaged Words, Worded Images: A conversation with Ruth and Marvin Sackner." The contibutors cited consist of only those whose work is depicted in this catalogue. The image on the dust jacket was done by Jeremy Adler, the frontispiece by Tom Phillips and the end papers by Willem Boshoff. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

A Humument Page 59, 1980 - 1986

 Item
Identifier: CC-54408-989921
Scope and Contents

The poem reads " A most magnificent kind of woners catalogue - DOCUMDNT the universe; and vanish - doumenti--libri----multa--admirandi! - at his bedside - all the reading of the thing with the stamp of art. tp ms and rs." Here Phillips is prising the Sackners' catalogue of their collection of concrete and visual poetry(1986) for which he also designed the cover. The same poem with a different image as a print with only 'tp' for Hansjorg Mayer publications catalogue is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980 - 1986

A Performance of Concrete and Sound Poetry/An Exhibition of Concrete and Visual Poetry / Cobbing, Bob ; Fencott, P.C. ; Marvin Sackner ; Ruth Sackner., 1982

 Item
Identifier: CC-17287-17648
Scope and Contents

The exhibition was curated by Ruth and Marvin Sackner. The catalogue was issued on the occasion of the exhibition and performance of Cobbing and Fencott at the Richter Library, University of Miami, February 25, 1982. The exhibition and performance was sponsored by Josephine Johnson, University of Miami. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

A Sackner of Doucet in a Contemporary Avant-Garde Art's Collection / Di Pancrazio, Paola; Sackner MA; Phillips T., 1994

 Item
Identifier: CC-16150-16493
Scope and Contents

This is an English translation of an article in the periodical, Berenice that compares Sackner to Jacques Doucet, a Parisian couturier who established a great collection of the avant garde of the early twentieth century. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

A TV Dante 2nd Series No.4 / Phillips, Tom; Furnival A; Ackerman M; Ackerman D; Sackner MA., 1985

 Item
Identifier: CC-54368-643252
Scope and Contents

Titled Dante in Winggield, Phillips writes that Astrid Furnival " has knitted me a new Dante sweater from the olive oil label etc." An actual label is collaged on the right side of this page next to a tag for Dante yarn. The newsprint is an advertisement of Dante's Inferno which is described "in the Sunday Times as stupendous, breathtakingly sumptous...epic...impressive limited de-lux edition took seven years to make." The handwritten dairy continues the tale of progress with a TV Dante. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

A TV Dante 2nd Series No.23 / Phillips, Tom; Phillips L; Minsky R; Sackner MA; Sackner RK; Ackerman M; Ackerman D., 1986

 Item
Identifier: CC-54391-989908
Scope and Contents

Titled "Dante on Broadway II" this collage has fragmented newspaper clippings from the New York Times of Le Bernadine Restaurant where Phillips writes that he had lunch with Marvin and Ruth Sackner and Martin and Diane Ackerman. Also collaged is the obituary of Dante scholar John Ciardi, a torn portion of the announcement of Phillip's talk at the Center for Book Arts and an announcement of a concert in Boston with Leo Phillips. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

A TV Dante 2nd Series No.24 / Phillips, Tom; Phillips L; Minsky R; Sackner MA; Sackner RK; Ackerman D; Ackerman M., 1986

 Item
Identifier: CC-54392-989909
Scope and Contents

Titled "Dante on Broadway" this collage contains handwritten and collaged additions describing Phillips' opening exhibition at the Center for Book Arts. Collaged elements include a match book cover from the Noho Star, the graphic design logo for Hero Boy, a picture on Mickey Rooney and Judy Garland holding a Broadway sign and the Hebraic calligraphy for 2nd Ave Deli. Phillips comments that there was a "very lively and successful opening on Broadway with lots of people close to me there, Leo and Ruth, the Sackners, the Ackermans and of course Richard [Minsky] who has made such a wonderful job of curating the exhibit ." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

A TV Dante 2nd Series No.31 / Phillips, Tom; Sackner MA; Sackner RK; Laffoley P., 1987

 Item
Identifier: CC-54401-989916
Scope and Contents

This collage follows Phillips from London to Jamaica to Miami Beach. A hand addressed label in the upper right corner from Ruth and Marvin Sackner to Tom Phillips has the following written message: "25th Nov 1986 arrives the Sackner catalogue herein after known as the whopper with a list of their holdings & nominally all the important Dante material." A record of Phillips' diary entries are written on the left side of the collage dating from November,1986 to March 1987. An invitation to an exhibition of Phillips' graphic works at the National Gallery of Jamaica is collaged at the top center. Phillips includes a portion from the Dante piece by Paul Laffoley hanging in the Sackner Archive. l -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

A TV Dante Diary I (New Series) / Phillips, Tom; Sackner MA; Sackner RK., 1984

 Item
Identifier: CC-32372-33940
Scope and Contents

This first page is dated with handpainted Roman numeral 26 Mar 1984. Phillips writes, "A year after our first proper meeting, Peter [Greenaway] and I are ready to start; as usual the waiting for finance causes most of the delay...It was only after I consulted my chronology notes I realized and remembered that Dante's journey actually begins on March 26th. Thus the auspices seemed good indeed." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

A TV Dante Diary II (New Series) / Phillips, Tom; Sackner MA; Sackner RK; Greenaway P., 1984

 Item
Identifier: CC-32374-33943
Scope and Contents This page consists of three small rectangular panels in its right third and a collaged, almost obscured text from typed carbon backing on its left two thirds. The uppermost panel on the right side is a collage made from a logograph that also appears in Phillips' Dante's Diary book, entitled "WHYSPEND." The middle panel is a handwritten, micrographic portion of Phillips diary in which he discusses meetings with Peter [Greenaway] and viewing Edward Muybridge original photographs at the V&A. The lowermost panel consists of a rectangular collage made from the Sackner Archive stationery. The section on the right two-thirds of the drawing consists of the circular drawing WHYSPEND collaged onto the typed carbon backing of "the thirty three sheets of notes to accompany the Thames and Hudson edition of Dante. A careworn piece of paper." In this collage, only an illegible shadowy remnant of words remains. This drawing anticipates the typed carbon backing for the translation of Dante's...
Dates: 1984

A TV Dante Diary IV (New Series) / Phillips, Tom; Sackner MA; Sackner RK., 1984

 Item
Identifier: CC-32379-33950
Scope and Contents

This page is divided into a grid of nine rectangles that are described by Phillips as "nine versions of 'many different tongues' connected to Dante and worked on on Sunday XV/VII, including scrambled script by myself, confused Mallock, random bank numbers, parts of the Sackner letterheading, reproductions of pictures of mine from Stuttgart & the Tate Gallery & Waddington Catalogue (after Dante in his study) & two fake scripts from scratch." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Additional filters:

Subject
Documentation 100
Concrete poetry 76
Visual poetry 73
Critical text 66
Visual art 66