This box was a gift to Marvin Sackner from his daughter Sara, and her family, on his 80th birthday. Each card reads "Happy 80th Birthday, Dad-Ta! May you live to be... 120. Love always! Sara Andy Zach Eli Albert." Every card is numbered 1-83, and the last card explains the rules of playing the game "120."

The poem reads " A most magnificent kind of woners catalogue - DOCUMDNT the universe; and vanish - doumenti--libri----multa--admirandi! - at his bedside - all the reading of the thing with the stamp of art. tp ms and rs." Here Phillips is prising the Sackners' catalogue of their collection of concrete and visual poetry(1986) for which he also designed the cover. The same poem with a different image as a print with only 'tp' for Hansjorg Mayer publications catalogue is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Ruth and Marvin Sackner. The catalogue was issued on the occasion of the exhibition and performance of Cobbing and Fencott at the Richter Library, University of Miami, February 25, 1982. The exhibition and performance was sponsored by Josephine Johnson, University of Miami. -- Source of annotation: Marvin or Ruth Sackner.

Omar Khouri contributes an introductory essay about De Araujo's poems. The web address of the Sackner Archive is listed under places with more of De Araujo's work. -- Source of annotation: Marvin or Ruth Sackner.

The exhibitio nwas curated by William Cobbing, Bob Cobbing's grandson and Rosie Cooper at the Exhibition Research Centre in Liverpool. It consisted of printed matter, paintings, documents, films, sound works, objects and artefacts.The Sackners were described as "owners of the most comprehensive archive of sound and concrete poetry." Stored in Bob Cobbing box. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue lists Andryczuk's personal publications and provides illustrations of them that are ofter tipped-in. It also lists publications of other poets that he has published. -- Source of annotation: Marvin or Ruth Sackner.

The four books making up this exhibition catalog, which in itself can be classified as an artist book, comprise the topics, Sculpture, Artist and Process, Related Objects, and Bookworks. The latter includes Marvin Sackner's critical essay, "Who Says Thirteen Is Unlucky?" The theme of several of the pieces in the exhibition is Satin's adaptation of John Cage, Jasper Johns and Merce Cunningham's collaborative work, "Dancers on a Plane." -- Source of annotation: Marvin or Ruth Sackner.

The catalogue has several introductory essays including one contributed by Marvin Sackner. Other sections include a) Books, b) Unique Manuscripts & Books, and c) Drawings, Prints, Posters & Miscellaneous. Fifty catalogues had an accompanying print. The print is a red and blue colored concrete poetic landscape image formed by rubberstamping words in French and English. The unbound pages provide translations for the critical essays written in French. The print is stored separately in a de Charmoy box. -- Source of annotation: Marvin or Ruth Sackner.

This copy is printed on white papercard stock. One of the poems "waTer vaPour" in this set was commented upon by Bob Grumman in his book "From Haiku to Lyriku" (2007). "Anyway, here's a clue: think lower case uppered. Remember gas expands." -- Source of annotation: Marvin or Ruth Sackner.

Huth describes his visit to the Sackner Archive on April 13th in the section titled "Home Sweet Museum." -- Source of annotation: Marvin or Ruth Sackner.

These prints are based upon a typing done in 1993 which were photocopied onto a transparent sheet of paper and then laid over the original in five different ways creating five works "with dense patterns and moire effects." -- Source of annotation: Marvin or Ruth Sackner.

This is a November internet update of the Writers House calendar for October featuring the seminar "Suddenly Everyone Began Reading Aloud" relating to the exhibition at the Van Pelt Library titled "Make Perhaps This Out Sense Of Can You." Photographs are included of the participants at the seminar. -- Source of annotation: Marvin or Ruth Sackner.

In the colophon, Gallo mentions that the production of this book was made possible in part due to a grant from the Sackner Archive. The binding was done by Daniel Kelm. Each page has a single poem that was printed letterpress or from plates generated thru Alphatype or Postscript applications. The Archive for this book is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of the responses to a questionaire on Mail Art Archives sent to the recipients by Ferranto. Some of the collectors also indicated that their collections were for sale. -- Source of annotation: Marvin or Ruth Sackner.

Invoice details the sale of two typewriter drawings: both untitled and created in 1993. Total cost came out to $650

Ruth Sackner delivered this lecture at the opening of Bob Cobbing's Exhibition "Make Perhaps this Out Sense Of Can You." It focused on the relation of Mathew Abess, the curator of the exhibition and the Sackners. -- Source of annotation: Marvin or Ruth Sackner.