Steven Heller contributes an essay "Szyk Transit: The greatest work of a once-famous anti-fascist illustrator has been beautifully restored, but not without some conflict along the way," the work of the Polish artist Arthur Szyk. Rick Poynor questions how graphic designers will shape the discourse about climate change in his essay "Warm Regards." Jennifer Ehrenberg describes contemporary artists' books made in Cuba in her essay "Cuba Libros!" -- Source of annotation: Marvin or Ruth Sackner.

This is issue no.21 of New Moment, a magazine for art & advertisement. This special issue was published as the catalogue for an exhibition of Phillips' prints in Slovenia. Marvin Sackner's essay "Humumentism: the Works and Ideas of Tom Phillips" was included. Other essays trace the areas of Phillips prodigious creations in book art, video, music, photography, translations and portraiture. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners are mentioned as holding a Vitali photograph. -- Source of annotation: Marvin or Ruth Sackner.

Page 144 depicts the Sackner's painting on paper, Cote Quest (1983), along with commentary. This profusely illustrated book documents Hubaut's performances, installations and exhibitions over three decades. Includes a great deal of materials about his rabbit theme and monochrome events. -- Source of annotation: Marvin or Ruth Sackner.

Lecture delivered by Marvin Sackner on database utilized by Sackner Archive at Eye Rhymes visual poetry conference held in Edmonton Canada in June 1997. -- Source of annotation: Marvin or Ruth Sackner.

This a beautifully illustrated review of the Miami art scene that includes several images and a brief description of the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Pignatari mentions experiences of Miami visit and the encounter with the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scotch art, collages that Wolman made with Scotch tape beginning in 1964 are described beginning on page 84. The Sackner Archive holds one such work as well as a "dechet d'oeuvre" depicted on page 207. This book provides a orderly review, year by year from 1950 to 1981 of Wolman's works including artworks, polemics and political texts. Frederic Acquaviva, an expert on Wolman's work, indicated that far less than 100 copies of this piece were made. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of an exhibition of Artist Books at the Victoria & Albert library. -- Source of annotation: Marvin or Ruth Sackner.

The stamp, made of rigid photopolymer, is a drawing of a heart surrounded with the words Ruth and Marvin Sackner Archive of Concrete and Visual Poetry designating various parts of the heart. The strip of labels contain the same aphorism on different colored stock from Corbett's publication, Tensetendoned. This item is stored in the box with Tensetendoned. -- Source of annotation: Marvin or Ruth Sackner.

The stamp, made of rigid photopolymer, is a drawing of a heart surrounded with the words Ruth and Marvin Sackner Archive of Concrete and Visual Poetry designating various parts of the heart. The strip of labels contain the same aphorism on different colored stock from Corbett's publication, Tensetendoned. This item is stored in the box with Tensetendoned. -- Source of annotation: Marvin or Ruth Sackner.

This is a page from the manuscript dedicated to Ruth & Marvin Sackner. Kempton used a Panasonic electronic typewriter to produce the typewritings that he called glyphs. It was not published until 1993 by Runaway Press but then in a reduced size. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Susan Goodman. The Sackner Archive lent El Lissitzky's "Beat The Whites With The Red Wedge" (p.196) and Chashnik's "Maxim Gorky - Vladimir Lenin" book cover design (p.163) as well as two El Lissitzky books. -- Source of annotation: Marvin or Ruth Sackner.

This publication was a senior project by the author for the OSU Department of Industrial, Interior and Visual Communication. It was prepared as a study for designing an area in a potential future space for special collections in the rare book library. Included are reproductions of "The Altered Page" and "Networking" catalogues of exhibitions from the Sackner Archive, a history of the Archive, photographs and an illustrated article by Tom Austin. Also included is a detailed research section on concrete poetry. A portion of the book concerns the design of a library space for the Archive. -- Source of annotation: Marvin or Ruth Sackner.