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Sackner, Marvin A., 1932-2020

 Person

Found in 403 Collections and/or Records:

Exhibition Based Upon Johanna Drucker's Century of Artists' Books (1995) / Sackner, Marvin ; Sackner, Ruth ; Drucker J., 1996

 Item
Identifier: CC-27513-28568
Scope and Contents

This consists of the labels used for the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Exhibits Hark Back to Abstract Origins / Ahlander, Leslie Judd; Sackner RK; Sackner MA., 1983

 Item
Identifier: CC-26277-26744
Scope and Contents

Review of Sackner collection of Russian Avant Garde art at the Lowe Museum, University of Miami. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Facing the Page: British Artists' Books: A Survey 1983-1993 / Turner, Silvie, editor ; Sackner MA ; Adler J ; d'Arbeloff N ; Cobbing B ; Cutts S ; Douglas H ; Stokes T ; Finlay IH ; VanHorn E ; King R ; Langlands B ; Bell N ; Lax R ; Lijn L ; Phillips T ; Tilson Jo ; Tyson I ; Christie J ; deCharmoy C ; Campbell K., 1993

 Item
Identifier: CC-01689-1725
Scope and Contents

This book is the sequel to the exhibition catalogue, "British Artist's Books since 1970." Simon Ford provides a section on Definitions of Artist Books that includes a statement by Marvin Sackner from "The Altered Page" catalogue. The major portion of this book is a listing and description of the books that include among others Phillips, Dante's Inferno, The Heart of A Humument, and Where are They Now by Tom Phillips as well as Langlands and Bell's The Crisis of Western Education. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Florida Artists' Book Prize Award and Exhibition of Selected Entries, 1997 / Sackner MA ; Sackner RK ; Chiarlone R ; Jaffe A ; Chen J ; King R ; Macia C ; Lavater W ; Nicastri J ; Tan S ; O'Banion N ; Schwartzott C ; VanVleit C ; Weier D., 1998

 Item
Identifier: CC-29530-30898
Scope and Contents

Ruth and Marvin Sackner served as jurors along with Jean Trebbi. The catalogue was edited and the exhibition curated by James A. Findlay, Librarian of Special Collections. The companion exhibition at the Fort Lauderdale Library was "Modern Rare Books II: Artists' Books from the Mata and Arthur Jaffe Collection." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Folio: The Arthur & Matta Jaffe Collection. Special Issue / Sackner MA ; Sackner RK ; Hutchins E., 2005

 Item
Identifier: CC-43232-45291
Scope and Contents

This issue describes the bookmaking workshops related to the exhibition of pop-up books opening spring 2005, "Stand & Deliver: Engineering Sculpture into a Book Format" that is curated by Ed Hutchins. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Font. No.119 / Ondrej Kafka, editor ; Toman-Tylova B ; Sackner RK ; Sackner MA., 2012

 Item
Identifier: CC-54905-990324
Scope and Contents

Barbora Toman Tylova who visited the Sackner Archive in 2011 contributed an illustrated essay dealing with her experience with the books held by the Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012

For Marvin (9.5) / Sackner, Sara; Sackner MA., 1980

 Item
Identifier: CC-33357-34996
Scope and Contents

The photograph depicts Marvin Sackner in bubble bath of hotel bathtub in Stuttgart during summer 1980; 9.5 refers to quality of hotel bathtub on Sackner's rating scale of 1-10. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Found Poems, 1990 - 1994

 Item
Identifier: CC-10488-10692
Scope and Contents

In the colophon, Gallo mentions that the production of this book was made possible in part due to a grant from the Sackner Archive. The binding was done by Daniel Kelm. Each page has a single poem that was printed letterpress or from plates generated thru Alphatype or Postscript applications. The Archive for this book is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990 - 1994

four minutes to midnight. No.1/Aug / Kevin Lo, John Stuart, editors ; Lo K ; Beckett S ; Gleason T., 2004

 Item
Identifier: CC-46750-49482
Scope and Contents

This is the PDF file of this issue that has also been downloaded from the web site and printed; the first edition is out of print. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

[Gift to the Museum of Modern Art] / Sackner, Marvin; Sackner, Ruth., 1993

 Item
Identifier: CC-02646-2689
Scope and Contents

Includes Clive Phillpot's letter of thanks, wall listing, and two installation views of the exhibition "Artists Magazines" from the Sackner gift to the MoMA Library. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Gleaner Zine ish, The: Finishing Touches. No.13., 2005

 Item
Identifier: CC-45812-48022
Scope and Contents

This is a feminist magazine oriented to information directed to women. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Global Conceptualism: Points of Origin, 1950s-1980s / Luis Camnitzer, curator ; Jane Farver, curator ; Rachel Weiss, curator ; Boshoff W ; Sackner MA ; Sackner RK ; Andre C ; Antin E ; Art & Language ; Beuys J ; Boetti A ; Broodthaers M ; Cage J ; Celant G ; Darboven H ; Debord G ; Deisler G ; Duchamp M ; Ferrari L ; Flynt H ; General Idea ; Gerchman R ; Gins M ; Goeritz M ; Holzer J ; Johns J ; Kabakov I ; Katz L ; Kocman JH ; Komar & Melamid ; Kosuth J ; Kruger B ; Latham J ; Lissitzky E ; Malevich K ; Mallarme S ; Manzoni P ; McLuhan M ; Ono Y ; Perneczky G ; Opalka R ; Rauschenberg R ; Rehfeldt R ; Wolf-Rehfeldt R ; Rodchenko A ; Siegelaub S ; Stepanova V ; Todorovic M ; Tot E ; Valoch J ; Warhol A ; Wolman G ; Young L ; Claus CF ; Arakawa ; Isou I ; Bann S ; Camintzer L ; Tupitsyn M ; Valoch J ; Oiticica H ; Weiner L ; Piper A ; Rosler M ; Snow M ; Lippard L ; Parr M ; Kelly M ; Baldessari J ; Siegelaub S ; Haack H ; Filko S ; Trasov V ; Knizak M ; Merz M ; Xu B ; LeWitt S ; Koraichi R ; Filko S ; Frampton H ; Parr M ; Cha T., 1999

 Item
Identifier: CC-32761-34353
Scope and Contents In an introductory essay, Stephen Bann writes that "artists like Willem Boshoff and Frederic Bruly Bouabre clearly demonstrate the fertility of language-based investigations on African soil: Boshoff prepared for his work with dictionaries by lengthy exercises in concrete poetry." Okwui Enwezor contributes an essay "Where, What, Who, When: A Few Notes on "African" Conceptualism." Bann adds that "Willem Boshoff's conceptual practice is an elaborate effort dedicated to the study of ignorance, that is, pushing to the point of dissolution the idea that the world is knowable. Imprisoned by South African authorities for his refusal to serve in the military (the micrographic work, Kleinpen I, was produced in prison as a way to maintain mental equilibrium)... Boshoff finds in obscure and obsolete words a way to construct a map that denies sight but empowers knowledge...His study of linguistics and Wittgensteinian philosophy led him to explore other ways of rendering words into pulsating...
Dates: 1999

Grolier Club Collects, The / Phillips T ; Sackner MA ; Sackner RK ; Borges J ; Bukowski C ; levy da ; Dill L ; Smith Ph ; VanDerMarck J ; Gonet J ; Joyce J ; Lozowick L ; Gorey E ; Rosenbach ASW ; Wolf Ejr ; Fleming J., 2002

 Item
Identifier: CC-46923-49659
Scope and Contents

The exhibition consisted of books, manuscripts and works on paper from the collection of Grolier Club members. "The Heart of A Humument" from the Sackner Archive was exhibited and illustrated in the catalogue. George Koppelman exhibited Charles Bukowski's "The Genius of the Crowd," Cleveland:7 Flowers Press, 1966 (hand printed and illustrated by da levy). He purchased it for less than $1.00 from Jim Lowell, Asphodel Book Shop at the time of publication. The colophon called for 103 copies but about 40 copies survived since the rest were destroyed by the Cleveland police. Current price (2007) on the internet from Virtuous Books is $14,500. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Hand Made Obra Recente / Hatherly, Ana ; Sackner MA., 2000

 Item
Identifier: CC-50947-72025
Scope and Contents

Hatherly's drawing "A Imagem da Mulher Invadida Pelo Tempo: Homenagem a Henry Moore," that is held by the Sackner Archive is depicted on page 10. The series of drawings entitled Pintura sobre Cartao are reminiscent of Brice Marden's images in his recent paintings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Hand Made Obra Recente / Hatherly, Ana ; Sackner MA., 2000

 Item
Identifier: CC-50993-72072
Scope and Contents

Hatherly's drawing "A Imagem da Mulher Invadida Pelo Tempo: Homenagem a Henry Moore," that is held by the Sackner Archive is depicted on page 10. The series of drawings entitled Pintura sobre Cartao are reminiscent of Brice Marden's images in his recent paintings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Handmade Books, Collages and Sculptures / Hamady, Walter ; Olson T ; Spector B ; Heft C ; Sackner MA ; Sackner RK., 1991

 Item
Identifier: CC-33092-34717
Scope and Contents

This catalogue features Hamady's assemblages. Toby Olson and Buzz Spector contribute critical essays on Hamady's work. Olson wrItes about his art pieces in the essay "One Night at the Farm" and Spector describes Hamady's work in an essay, "Biblioselfconsciousness: Walter Hamady's Gabberjabbs." The Sackner Archive is mentioned as holding Hamady's works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

[Happy 60th to Tom Phillips] / Sackner, Marvin., 1997

 Item
Identifier: CC-28223-29391
Scope and Contents

Marvin Sackner composed the poetry based on page 12 of "A Human Document" as a birthday tribute to Tom Phillips. He used a scanner, Photoshop and Adobe Illustrator as software tools. Fiona Maddox, Phillips' wife, sent blank pages to his friends and will bind them into a book. The text reads, "To TP it was meant to be, a good book for men and women, who experience so much mature observation of good life between the two, FM TP a picture complete, a true representation of life." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Additional filters:

Subject
Documentation 100
Concrete poetry 77
Visual poetry 73
Critical text 67
Visual art 67