Includes an essay on Intermedia by Adriano & Maurizio Spatola. This issue contains a photograph of a poem on Nixon by Anna Esposita that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The cover is an original ink drawing by Corrado Costa. Compared to the earlier issues of this periodical, this issue has a greater content of original contributions rather than works reproduced from previous publications. -- Source of annotation: Marvin or Ruth Sackner.

Cover was designed by Gyorgy Galantai. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of the book first published in 1966 by Sampietro Editore, Bologna. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts several poems first published in 1966-1967 in various periodicals. One of the poems entitled "trittico' [Italian] in English means triptych and was a popular standard format for altar paintings from the middle ages and another composed of ditto marks and entitles "die ubung" [German] in English means repetitiion. A poem entitled 'variation' morphs to variateur [French] whch in English means light dimmer. Finally, "danger?" is a take-off on gomringer's "silencio." -- Source of annotation: Marvin or Ruth Sackner.

The translation from Italian to English was done by Giula Niccolai. Spatola provides a critical analysis of the mostly constructivistic, optical artworks of Francesco Guerrieri, a now forgotten Italian artist born in 1931 who emerged in the Italian art world in the 1950s. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of an article published in Cimal No.11-12. -- Source of annotation: Marvin or Ruth Sackner.

The book "Moi la Deite" contained in the Sackner Archive is pictured on page 7. -- Source of annotation: Marvin or Ruth Sackner.

This book was created for the "Artworks and Bookworks" exhibition, Los Angeles Institute of Contemporary Art, 1978. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of conventional poems and photographic reproductions of visual poems. Balestrini's piece is a political text recounting the sixties political climate in Milan. The story is laid out in two columns without any punctuation. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the poster was not depicted in the catalogue and the page reference is to Spatola's biography. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

The drawings by Della Casa that are reproduced in this book depict images of Spatola. -- Source of annotation: Marvin or Ruth Sackner.

The title translates to English as "The Nigger Jew." The English translation of the poem is printed in Spatola's book, "The Position of Things: Collected Poems 1961-1992 (2008). This poem apppears to be a post Holocaust poem without any direct allusion to it. It is not anti-semetic or anti-racial. -- Source of annotation: Marvin or Ruth Sackner.