Cobbing mentions that nearly a thousand items were included in this exhibition that took place over one month's period which thirty thousand people attended un London's Royal Festival Hall.. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo discusses publication of Houedard's Newcastle catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This is the exhibition catalogue of British and Portuguese concrete poetry and related work held from August to September, 1968. Each book including this one contains an original typing by Cavan McCarthy. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for an international exhibition of concrete, intermedia, and related work at Arlington Mill, Bibury, Gloucestershire held from July to September, 1966. This copy also has poet's names in graphite handwriting scrawled on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for an international exhibition of concrete, intermedia, and related work at Arlington Mill, Bibury, Gloucestershire held from July to September, 1966. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Thomas A. Clark. -- Source of annotation: Marvin or Ruth Sackner.

This drawing has a hand-numbered 14 in the l.r. corner. -- Source of annotation: Marvin or Ruth Sackner.

This drawing has a hand-numbered 15 in the l.r. corner. -- Source of annotation: Marvin or Ruth Sackner.

This drawing has a hand-numbered 20 in the l.r. corner. -- Source of annotation: Marvin or Ruth Sackner.

This drawing has a hand-numbered 21 in the l.r. corner. -- Source of annotation: Marvin or Ruth Sackner.

This card that is letter is addressed to John Sharkey deals with a request by Hansjorg Mayer for his contributions to his concrete poetry portfolio. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue, with an extensive bibliography, was published on the occasion of Houedard's retrospective exhibition held at the Laing Art Gallery, Newcastle Upon Tyne, England. The manuscripts of three essays by Houedard in this book are held by the Sackner Archive, e.g. "Kenelm Cox: Keeping Still in the Book of Change," "The Singing of Feeling," and "Introduction to the Catalogue of Arlington-Une." The book was designed by donato cincolo III. The offset-printed Illustrations were selected from work completed by Houedard from January 23 - February 8, 1971 and reproduced from original typestracts lent by The Lisson Gallery. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue, with an extensive bibliography, was published on the occasion of Houedard's retrospective exhibition held at the Laing Art Gallery, Newcastle Upon Tyne, England. The manuscripts of three essays by Houedard in this book are held by the Sackner Archive, e.g. "Kenelm Cox: Keeping Still in the Book of Change," "The Singing of Feeling," and "Introduction to the Catalogue of Arlington-Une." It is the same as the ordinary edition except for the numbering and signature. The book was designed by donato cincolo III. The offset-printed Illustrations were selected from work completed by Houedard from January 23 - February 8, 1971 and rReproduced from original typestracts lent by The Lisson Gallery. This copy is stored in the Ceolfrith box. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue, with an extensive bibliography, was published on the occasion of Houedard's retrospective exhibition held at the Laing Art Gallery, Newcastle Upon Tyne, England. The manuscripts of three essays by Houedard in this book are held by the Sackner Archive, e.g. "Kenelm Cox: Keeping Still in the Book of Change," "The Singing of Feeling," and "Introduction to the Catalogue of Arlington-Une." It is the same as the ordinary edition except for the numbering and signature. The book was designed by donato cincolo III. This copy is stored in the Archive Box of Ceolfrith 15. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive also holds two silkscreen prints made from this maquette, one in a portfolio entitled "Five Wall Poems," and another purchased separately but stored in this portfolio.The graphite drawing on the verso is a rough sketch of an interior room. -- Source of annotation: Marvin or Ruth Sackner.

The first performance of Cobbing, Claire and Chant for this record on July 6, 1971 marked the birth of the group now known as Konkrete Canticle. A copied tape cassette is also held by the Sackner Archive.The manuscript for Ga(il)o(ng) performed inthis record is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The first performance of Cobbing, Claire and Chant for this record on July 6, 1971 marked the birth of the group now known as Konkrete Canticle. A copied tape cassette is also held by the Sackner Archive.The manuscript for Ga(il)o(ng) performed inthis record is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.