This is the second printing of the book. Pages of the book have progressively larger widths and are printed on various colored stock. The loose sheet written by d.a.levy laments the death of Hernando Gonzalez, a Columbian guerilla. -- Source of annotation: Marvin or Ruth Sackner.

This is the second printing of the book. Pages of the book have progressively larger widths and are printed on various colored stock. The loose sheet written by d.a.levy laments the death of Hernando Gonzalez, a Columbian guerilla. -- Source of annotation: Marvin or Ruth Sackner.

This is the second printing of the book. Pages of the book have progressively larger widths and are printed on various colored stock. The loose sheet written by d.a.levy laments the death of Hernando Gonzalez, a Columbian guerilla. -- Source of annotation: Marvin or Ruth Sackner.

The front cover of a surrealistic collage was designed by David W Harris, the back cover with cartoons by Greg Simpson. -- Source of annotation: Marvin or Ruth Sackner.

The front cover of a surrealistic collage was designed by David W Harris, the back cover with cartoons by Greg Simpson. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent several works of the three artist-poets to the exhibition including Cleveland Prints, The North American Book of the Dead, Scarab Poems by d.a. levy; The Journal of Albion Moonlight, Cloth of the Tempest, Sleepers Awake by Kenneth Patchen; 18th Dynasty Egyptian Turnon by D.r. Wagner. Although there was no check list with the catalogue, the superb installation photographs of the books and prints in cases more than make up for this oversight. The suite of collages entitled Zen Concrete on display at this exhibition were purchased by the Sackners from Ingrid Swanberg in 2008. -- Source of annotation: Marvin or Ruth Sackner.

Ingrid Swanberg comments on a photocopy of an envelope depicted in one of the folded sheets: Marvin - all the following were enclosed in this envelope, which I received a week or so after levy's death. Note: no return address [however, it is postmarked San Francisco]. See my essay "No Last Words." The Archive includes a letter to Dr Wagner in 1968, raw material clipped from magazines for potential collages, Buddhist art images and a letter to an unidentified recipient. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Barbara O'Connelly. Although the colophon calls for this copy to be numbered, it is not numbered but only signed. -- Source of annotation: Marvin or Ruth Sackner.

The silkscreen print on the cover was made by D.r. Wagner. There is a poem composed by David W. (Weed) who is also known as David UU and David W. Harris. -- Source of annotation: Marvin or Ruth Sackner.

The front cover was designed by Richard Geer, the back cover by D.r. Wagner. This book consists of poetic quotes by others. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue is divided into the following sections: Books by other publishers; d.a.levy contributions to books and other publications; d.a.levy contributions to periodicals. -- Source of annotation: Marvin or Ruth Sackner.

This was first published as Gronk 2. This book is replete with Nichol's drawings. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a manuscript submitted for publication to david w harris entitled, "The Incense Box" that apparently remained unpublished. -- Source of annotation: Marvin or Ruth Sackner.

levy's handwritten letter to Jacob Leed on verso page 3 mentions waiting for a poem by Alan Ginsberg and putting out Egyptian Stroboscope. The Smithbox is an experimental non-fictional piece replete with run-on as well as obscene words. it includes a minimalist poem by Bob Barker and a visuonary line drawing. -- Source of annotation: Marvin or Ruth Sackner.