This broadside was addressed to Patricia Collins. This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts the work of a single artist/poet. Ruggero Maggi and Vittore Baroni wrote a brief introduction and afterword, respectively. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Alessandro Bertacchini. Anna Boschi and Ruggerio Maggi contributed introductory essays. The theme of this exhibition was the "Hill" or subject matter dealing with the Hill with a wide latitude on its definition, e.g., the breast, bodies, vertical industrial objects. Most of the mail art works are depicted over the second half of this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Described as "A mail art kit of the Funtastic United Nations" with texts coordinated by Vittore Baroni. This project was "conceived to create a bridge between the most different creative geographical entities and to stimulate cooperation amongst all kinds of imaginary contries and worlds." -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispo, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Clemente Padin. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Karl Young. This exhibition commemorates the first nuclear holocaust, August 6, 1945 and a call for banning nuclear weapons everywhere. -- Source of annotation: Marvin or Ruth Sackner.

On the back cover, it is stated that Maggi's prevalent artistic interests are: visual poetry since 1973; copy art, artist's books, Mail Art since 1975; laser art 1976; holography 1979; chaotic art based on the theory of Chaos, fractals, entropy since 1985. Underwood site-specific installation GAM Gallarate; curator Camera 312 -- promemoria per Pierre at the 52. Biennale Venezia. He has realized at Villa Glisenti and the Silpakorn University's Art Centre in Bangkok the installation Ecce ovo for an Italian-Thai art meeting dedicated to the problem of global warming. 2009 he has arranged a site-specific installation dedicated to XX years of the Fall of Berlin's Wall. -- Source of annotation: Marvin or Ruth Sackner.

Submitted as entry for Homage To The Mad Diarist exhibition. -- Source of annotation: Marvin or Ruth Sackner.