Skip to main content

Gaglione, Picasso, 1943-

 Person

Dates

  • Existence: 1943-

Biography

William Gaglione, born in New York City in 1943, became an influential leader of the mail art movement during the 1960s. From that point he took an active role in the New York Correspondence School, along with his friend Ray Johnson, where he created his coded name "Dadaland." Long before the general public was aware of the artistic possibilities, mail artists were using rubber stamps to decorate their envelopes, finding abstract applications, and developing techniques. Rubber stamp art became an important genre within mail art, along with publications, postage stamps, photocopy, and audio cassette trade, and began to generate its own shows, magazines, and conventions. From being a contributor in the movement, Gaglione's position was to publicize the up and coming genre by utilizing the publications, shows, magazines, and audio cassettes.

 

Gaglione left New York and moved to California during the 1970s, where he founded his first company dedicated to mail art, Stamp Francisco. While living in San Francisco, he befriended other mail artists, including Darlene Domel, who he later married, and Anna "Banana" Lee. During this time, he contributed to artistamp, which is the art form of a postage stamp, but not meant to be considered real. Additionally, it was with Anna Banana that Gaglione developed Vile Magazine, which gave the opportunity for mail artists to publish their art and other publications. As Gaglione became more empowered with the mail art movement, he was known as a pioneer and developed the name "Picasso" Gaglione for all of the techniques he created.

 

During the 1990s, Gaglione focused his attention on the fine art of rubber stamping and his role as curator for the Stamp Art Gallery in San Francisco. Currently, Gaglione resides in Chicago with Darlene Domel. He owns a company, Stampland, which consists of fine art rubber stamps that he sells.

Found in 25 Collections and/or Records:

All My Rubberstamps (in no particular order) / Baroni, Vittore ; Gaglione B., 2010

 Item
Identifier: CC-52368-73491
Scope and Contents

This edition was designed and produced by Picasso Gaglione. The rubberstamp image included all of Baroni's rubberstamps on one page. The book depicts reproductions of multiple rubberstampings to the pages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

[Card to John Pyros] / Gaglione, Bill., 1978

 Item
Identifier: CC-10022-10220
Scope and Contents

Mentions work submitted for Commonpress No.17. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Cavellini 1914-2014 / Bill Gaglione; GA Cavellini., 1995

 Item
Identifier: CC-28828-30146
Scope and Contents

This rubber stamp provides a 7.5 cm diameter image that announces Cavellini's exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Cavellini 1914-2014 / Bill Gaglione; GA Cavellini., 1995

 Item
Identifier: CC-28828-30146
Scope and Contents

This rubber stamp provides a 7.5 cm diameter image that announces Cavellini's exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

L'Art Tampon / Held, John Jr. ; Gaglione, Bill ; Bleus G ; Summers R ; Janssen R ; Daligand D ; Agius J., 1995

 Item
Identifier: CC-31004-32463
Scope and Contents

This book is a dairy of Held and Gaglione's (The Fake Picabia Bros.) tour of Europe from May 1-11, 1995. It also includes photocopied examples of the rubberstamp art of Michel Hosszu, Daniel Daligand, Guy Bleus, Rod Sommers and Ruud Janssen. The rubberstamp collaged onto the cover depicts a portrait of Held and Gaglione labeled The Fake Picabia Bros. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Letter to Carl Loeffler / Crozier, Robin; Baroni V; Filliou R; Gaglione B; Vigo EA; Xerra W; Zurbrugg N; Spiegelman L; Sackner MA; Saito T; Miccini E; Minkoff G; Padin C; Kostelanetz R., 1981

 Item
Identifier: CC-18877-19255
Scope and Contents

In response to Loeffler's request for a critical essay for his "Book on Correspondence Art" Crozier describes what it would be like to receive work from his colleagues in the mail art network. The narrative mentions over 450 names, all listed in alphabetical order. Mentions "Marvin Sackner who is the only non-artist in here or is he now..." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981