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Gaglione, Picasso, 1943-

 Person

Dates

  • Existence: 1943-

Biography

William Gaglione, born in New York City in 1943, became an influential leader of the mail art movement during the 1960s. From that point he took an active role in the New York Correspondence School, along with his friend Ray Johnson, where he created his coded name "Dadaland." Long before the general public was aware of the artistic possibilities, mail artists were using rubber stamps to decorate their envelopes, finding abstract applications, and developing techniques. Rubber stamp art became an important genre within mail art, along with publications, postage stamps, photocopy, and audio cassette trade, and began to generate its own shows, magazines, and conventions. From being a contributor in the movement, Gaglione's position was to publicize the up and coming genre by utilizing the publications, shows, magazines, and audio cassettes.

 

Gaglione left New York and moved to California during the 1970s, where he founded his first company dedicated to mail art, Stamp Francisco. While living in San Francisco, he befriended other mail artists, including Darlene Domel, who he later married, and Anna "Banana" Lee. During this time, he contributed to artistamp, which is the art form of a postage stamp, but not meant to be considered real. Additionally, it was with Anna Banana that Gaglione developed Vile Magazine, which gave the opportunity for mail artists to publish their art and other publications. As Gaglione became more empowered with the mail art movement, he was known as a pioneer and developed the name "Picasso" Gaglione for all of the techniques he created.

 

During the 1990s, Gaglione focused his attention on the fine art of rubber stamping and his role as curator for the Stamp Art Gallery in San Francisco. Currently, Gaglione resides in Chicago with Darlene Domel. He owns a company, Stampland, which consists of fine art rubber stamps that he sells.

Found in 7 Collections and/or Records:

Beuys + Duchamp + Une Paire De Chaises / j.f. chapelle; B Gaglione; D Gaglione., 2013

 Item
Identifier: CC-58201-10001455
Scope and Contents

The letter by Gaglione invites the Sackners to attend FLUXFEST in Chicago during February. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

Beuys + Duchamp + Une Paire De Chaises / j.f. chapelle; B Gaglione; D Gaglione., 2013

 Item
Identifier: CC-58201-10001455
Scope and Contents

The letter by Gaglione invites the Sackners to attend FLUXFEST in Chicago during February. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

FLUXbox / Bill Gaglione, aka Picasso Gaglione., 2011

 Item
Identifier: CC-53207-74359
Scope and Contents

The four wooden letters consist of F L U X. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

FLUXbox / Bill Gaglione, aka Picasso Gaglione., 2011

 Item
Identifier: CC-53207-74359
Scope and Contents

The four wooden letters consist of F L U X. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

Inter Dada 84 / Ginny Lloyd, editor; B Gaglione; R Rocola; B Cleveland; A Banana; A Spiegelman; M Bell; CE Loeffler; D Domel; P Fish; JO Olbrich; C Stake; GA Cavellini; P Tavenner; J Hoffberg; A Schmidt; R Johnson., 1984

 Item
Identifier: CC-51673-72773
Scope and Contents

Although the edition called for 25 copies, according to Ginny Lloyd during a personal visit to the Archive in 2010, only four copies were actually assembled. Since the Sackner copy is numbered '5', perhaps she meant five copies. The box is addressed to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Inter Dada 84 / Ginny Lloyd, editor; B Gaglione; R Rocola; B Cleveland; A Banana; A Spiegelman; M Bell; CE Loeffler; D Domel; P Fish; JO Olbrich; C Stake; GA Cavellini; P Tavenner; J Hoffberg; A Schmidt; R Johnson., 1984

 Item
Identifier: CC-51673-72773
Scope and Contents

Although the edition called for 25 copies, according to Ginny Lloyd during a personal visit to the Archive in 2010, only four copies were actually assembled. Since the Sackner copy is numbered '5', perhaps she meant five copies. The box is addressed to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Stamps and Other Residues 1970-1979 / Kocman, J.H. ; Sackner RK ; Sackner MA ; Friedman K ; Gaglione B ; Ben., 1995

 Item
Identifier: CC-08170-8331
Scope and Contents

In the introduction, Gaglione mentions that Ben was the first to introduce rubberstampings into modern art in the late 50's and early 60's but that Kocman should be considered the "neo-father" of contemporary stamp art as demonstrated by his 1972 book "Stamp Activity." With this publication (30 copies), the concept of international stamp art was officially born into the eternal network. The rubberstamp collaged onto the cover carries the word, "touch." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995