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Gaglione, Picasso, 1943-

 Person

Dates

  • Existence: 1943-

Biography

William Gaglione, born in New York City in 1943, became an influential leader of the mail art movement during the 1960s. From that point he took an active role in the New York Correspondence School, along with his friend Ray Johnson, where he created his coded name "Dadaland." Long before the general public was aware of the artistic possibilities, mail artists were using rubber stamps to decorate their envelopes, finding abstract applications, and developing techniques. Rubber stamp art became an important genre within mail art, along with publications, postage stamps, photocopy, and audio cassette trade, and began to generate its own shows, magazines, and conventions. From being a contributor in the movement, Gaglione's position was to publicize the up and coming genre by utilizing the publications, shows, magazines, and audio cassettes.

 

Gaglione left New York and moved to California during the 1970s, where he founded his first company dedicated to mail art, Stamp Francisco. While living in San Francisco, he befriended other mail artists, including Darlene Domel, who he later married, and Anna "Banana" Lee. During this time, he contributed to artistamp, which is the art form of a postage stamp, but not meant to be considered real. Additionally, it was with Anna Banana that Gaglione developed Vile Magazine, which gave the opportunity for mail artists to publish their art and other publications. As Gaglione became more empowered with the mail art movement, he was known as a pioneer and developed the name "Picasso" Gaglione for all of the techniques he created.

 

During the 1990s, Gaglione focused his attention on the fine art of rubber stamping and his role as curator for the Stamp Art Gallery in San Francisco. Currently, Gaglione resides in Chicago with Darlene Domel. He owns a company, Stampland, which consists of fine art rubber stamps that he sells.

Found in 136 Collections and/or Records:

[Untitled] / Stamp Francisco ; Gaglione B., 1991 - 1992

 Item
Identifier: CC-02332-2372
Scope and Contents

Bill Gaglione is the owner of this company. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991 - 1992

Vile Cover Series / Banana, Anna; Gaglione, Bill., 1974 - 1982

 Item
Identifier: CC-21664-22075
Scope and Contents

These nine cards reproduce magazine covers of Vile. There are four duplicates, No.4, 7, 8, and 9. Stored in Vile box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974 - 1982

Vittore Baroni playing the part of Picasso Gaglione / Baroni, Vittore; Gaglione, Bill (aka Picasso Gaglione)., 2010

 Item
Identifier: CC-52378-73501
Scope and Contents

This edition was designed and produced by Picasso Gaglione. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

W / Bill Gaglione, aka Picasso Gaglione; K Schwitters; D Domel., 2009

 Item
Identifier: CC-51564-72663
Scope and Contents

This image relates to a Schwitters' sound poem in which only the letter "W" was recited. It was performed by Darlene Domel in the Stamp Art Museum in Chicago. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

W / Bill Gaglione, aka Picasso Gaglione; K Schwitters; D Domel., 2009

 Item
Identifier: CC-51564-72663
Scope and Contents

This image relates to a Schwitters' sound poem in which only the letter "W" was recited. It was performed by Darlene Domel in the Stamp Art Museum in Chicago. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

William Gaglione Papers

 Collection
Identifier: MsC0866
Abstract

Personal papers and art work of the stamp and mail artist. An ATCA collection.

Dates: -

Works: 1970-1979 / Kocman, J.H. ; Gaglione B ; Ben ; Perneczky G ; Knizak M ; Valoch J., 1995

 Item
Identifier: CC-08171-8332
Scope and Contents

Presented and created by Bill Gaglione and edited by Ted Purves who state that art scholars consider Kocman the neo-father of contemporary stamp art aka rubberstamping art. Onthe inside back cover, Kocman has handwritten [facsimile] a paraphrasse by Wittgenstrin "The limit of my languafe is the limit of my world" as "The limit of my love is the limit of my world." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Xerographica / Baroni V ; Vanoni A ; Vana F ; Ciani P ; Cleveland B ; Gaglione B ; Hagglund SG ; Higgins EF-III ; Rocola R ; Mohammed ; Olbrich JO ; Ciani P., 1985

 Item
Identifier: CC-39254-41200
Scope and Contents

This catalogue deals with xerox art. Vittore Baroni contributed an essay, "Towards the Heart of the Machine: Copy Art Today." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Xerographica / Vittore Baroni, curator ; Vanoni A ; Vana F ; Ciani P ; Cleveland B ; Gaglione B ; Hagglund SG ; Higgins EF-III ; Rocola R ; Mohammed ; Olbrich JO ; Ciani P., 1985

 Item
Identifier: CC-39310-41259
Scope and Contents

This catalogue deals with xerox art. Vittore Baroni contributed an essay, "Towards the Heart of the Machine: Copy Art Today." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Yves Klein Rubberstamp / Bill Gaglione., 1996

 Item
Identifier: CC-55735-9999298
Scope and Contents

The box is covered with gold paper and the inside with blue paper, Klein's favorite colors. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Yves Klein Rubberstamp / Bill Gaglione., 1996

 Item
Identifier: CC-55735-9999298
Scope and Contents

The box is covered with gold paper and the inside with blue paper, Klein's favorite colors. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996