Helmes writes, "The bawling score handed out @ Museum of Contemporary Art Chicago - 19 II 11. The poem consists of present particlples of vocal sounds (howling, sniveling, bawling, whimpering) printed in blue with overlaid abstsract markings. This was not performed during the Fluxfest in Chicago. -- Source of annotation: Marvin or Ruth Sackner.

Contains essay on rubber stamps from the collection of Scott Helmes. -- Source of annotation: Marvin or Ruth Sackner.

This poem was printed by Scott Helmes at the Hamilton Wood type and Print Museum, Two Rivers, Wisconsin in an edition of 18 on varying sizes and paper types, resulting in different appearances of the work, depending on the inking and paper properties. -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition catalogue of the prIvate collection of rubber stamps of Scott Helmes and Bill (Picasso) Gaglione. -- Source of annotation: Marvin or Ruth Sackner.

The poems in this book are presented as mathematical equations. -- Source of annotation: Marvin or Ruth Sackner.

This is one of 25 signed and numbered copies. The remaining 25 copies in the run were unsigned. In the introduction, Helmes writes "In the late 70's I met Ruth and Marvin Sackner and Richard Kostelanetz. They, along with Karl Kempton and Kay Arndt, have been critical supporters of my work for which I am continually grateful." This book consists of a varied selection of Helmes' poems, reproduced from rubberstamping, line stencilling and letraset collaging. -- Source of annotation: Marvin or Ruth Sackner.

Each of the artists describes his/her methods and thought processes involved in the creation of the works. The cohesive elements in the visual poems are the use of color and form. This publication was a gift from the poets on the occasion of their visit to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.