This collage depicts part of a printed alphabet and random placement of stencilled letters that appear to have been burnt from the paper by means of the sun through a lens. -- Source of annotation: Marvin or Ruth Sackner.

This object is a wooden beetle, with the number 33 carved on its front and a thin, leather strap tied to its top. The verso has the appearance of a nude female figure. Ovcacek is entranced by the number 33 since it refers to the year of his birth, 1933. -- Source of annotation: Marvin or Ruth Sackner.

This object is a wooden beetle, with the number 33 carved on its front and a thin, leather strap tied to its top. The verso has the appearance of a nude female figure. Ovcacek is entranced by the number 33 since it refers to the year of his birth, 1933. -- Source of annotation: Marvin or Ruth Sackner.

The burnt-out, stencilled letters of the title were done on paper of a printed music score. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a self-portrait of the artist from 1957; the unbound pages are typed poems, one to a page. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Serge Segay and Rea Nikonova. -- Source of annotation: Marvin or Ruth Sackner.

The introduction to thie book reproduces several of Ovcacek's typewritings This is followed by photographs of full frontal female nudes and female nudes overlaid with Ovcacek's drawings and typewritings. These works were created in the 1960s. -- Source of annotation: Marvin or Ruth Sackner.

Ovcacek contibuted typewriter poems on the front cover, end papers and four pages of this book. -- Source of annotation: Marvin or Ruth Sackner.

The print is written in French and consists of a poem relating to Beckett's "Waiting for Godot." -- Source of annotation: Marvin or Ruth Sackner.