Seille has called this work part of a short lived "doodle series." There are several grotesque profiles of faces and torsos in the drawing. -- Source of annotation: Marvin or Ruth Sackner.

Seille has called this work part of a short lived "Doodle Series." There are several grotesque profiles and torsos in the drawing. -- Source of annotation: Marvin or Ruth Sackner.

This is a transitional work in the artist's "Doodle Series." The collaged elements consist of photocopied fragments of calligraphic text recycled from previous works. The work depicts large handwritten letters and numbers scattered among a few grotesque profiles. -- Source of annotation: Marvin or Ruth Sackner.

In this letter to the Sackners, the artist writes about her new works which she calls "Architecture Fluide." Examples of this genre were later acquired by the Sackner Archive from an exhibition held at the England Gallery, London in April 1992. -- Source of annotation: Marvin or Ruth Sackner.

The work consists of twelve small pieces of treated paper with a single handwritten neologistic word, e.g., apteryx, argosome, etc. on the recto and numbers on the verso. The papers are held in a papercard case. -- Source of annotation: Marvin or Ruth Sackner.

Seilles's two page letter to the Sackners details her trials of readjusting to life in France, her artistic work and concern for her health. She is pleased to hear that the Sackners saw her exhibition in the Janet Fleisher Gallery in Philadelphia. The collaged pages of found scraps of paper include a cutting from the Sackner Archive stationery. The loose sheets and the letter are inserted inside a fold of the final page. -- Source of annotation: Marvin or Ruth Sackner.