Seillé, Geneviève, 1951-
Found in 13 Collections and/or Records:
A Book of Machines, 1991
Fragment 6, 1993
Seille has called this work part of a short lived "doodle series." There are several grotesque profiles of faces and torsos in the drawing. -- Source of annotation: Marvin or Ruth Sackner.
Fragment 8, 1993
Seille has called this work part of a short lived "Doodle Series." There are several grotesque profiles and torsos in the drawing. -- Source of annotation: Marvin or Ruth Sackner.
Fragment 10, 1993
This is a transitional work in the artist's "Doodle Series." The collaged elements consist of photocopied fragments of calligraphic text recycled from previous works. The work depicts large handwritten letters and numbers scattered among a few grotesque profiles. -- Source of annotation: Marvin or Ruth Sackner.
[I am afraid that to read this letter you might need binoculers] / Seille, Genevieve., 1991
In this letter to the Sackners, the artist writes about her new works which she calls "Architecture Fluide." Examples of this genre were later acquired by the Sackner Archive from an exhibition held at the England Gallery, London in April 1992. -- Source of annotation: Marvin or Ruth Sackner.
Livre d'Architecture Fluide, 1992
The dark brown covers of this book have been collaged, crumpled and heavily varnished by Seille to create a unique artist binding, The endpapers consist of fluid calligraphic writing in an unrecognizable alphabet, written in black paint reminiscent of Chinese calligraphy. The pages are collaged with the artist's unique drawings consisting of images, numbers, surrealistic drawings and organic structures. The pages are varnished such that a crunchy sound is emitted upon turning the pages. -- Source of annotation: Marvin or Ruth Sackner.
Mapa Ed Veneris 3, 1990
Petite Liste de Mots Visuels, 1993
The work consists of twelve small pieces of treated paper with a single handwritten neologistic word, e.g., apteryx, argosome, etc. on the recto and numbers on the verso. The papers are held in a papercard case. -- Source of annotation: Marvin or Ruth Sackner.
Poeme de Cousu, 1993
Scene Shifting Machine (Domestic), 1991
Scriptionary, 1995
Seilles's two page letter to the Sackners details her trials of readjusting to life in France, her artistic work and concern for her health. She is pleased to hear that the Sackners saw her exhibition in the Janet Fleisher Gallery in Philadelphia. The collaged pages of found scraps of paper include a cutting from the Sackner Archive stationery. The loose sheets and the letter are inserted inside a fold of the final page. -- Source of annotation: Marvin or Ruth Sackner.
The Book of Broken Speech / Seille, Genevieve., 1994
The 'pages' consist of seven lengths of string fixed to the inside at the spine onto which have been collaged several fragments of paper with a handwritten word, e.g., clear, their, from, rare, sand, tightly, etc. -- Source of annotation: Marvin or Ruth Sackner.
The Brain of the Monster, 1989
The cover has calligraphic text by Seille. -- Source of annotation: Marvin or Ruth Sackner.
