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This piece was produced for a review of Darren Werschler-Henry's "Nicholodeon," a book also held by the Sackner Archive. Twenty seven signed and numbered copies were printed for the deluxe edition of this book. -- Source of annotation: Marvin or Ruth Sackner.

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This work was generated by using a search engine on the internet that began with the phrase "you are" and found sentences on succeeding web sites starting with this phrase. These were collected to form an internet found poetry. -- Source of annotation: Marvin or Ruth Sackner.

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This issue consists of several short pieces by several writers and poets about bill bissett featuring personal reminiscences about adventures with him. -- Source of annotation: Marvin or Ruth Sackner.

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The poem reads "Vac m." -- Source of annotation: Marvin or Ruth Sackner.

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A posthumous catalog of Day's personal collection. Cover was designed by Darren Wershler-Henry and introductory essay was written by Michael Holmes. -- Source of annotation: Marvin or Ruth Sackner.

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Another copy has been taken from the Archive for O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.

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The poem by Ian Hamilton Finlay, printed on a small paper fragment, reads "warship worship." -- Source of annotation: Marvin or Ruth Sackner.

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This is an unpublished manuscript of poems adapted from the works and styles of bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.

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The content of this book is modeled after the work of bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.

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The content of this book is modeled after the work of bp Nichol. This deluxe edition has numerous inserts not found in the trade edition. -- Source of annotation: Marvin or Ruth Sackner.

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Darrin S. Wershler-Henry aka manitoba alphabet cult. The pieces in this suite are reprintings of bp Nichol on the commemoration of dedication of bp nichol lane at the toronto small press book fair in 1994. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This issue deals with Pataphysica as expoused by Jarry and current interpretations by Canadian writers. The introductory essay by the Editors, Christian Bok and Darren Werschler-Henry, indicates that " 'Pataphysics (a neologism fraught with polysemy) makes its debut at the turn of the century when Ubu, the nihilist scaramouche, describes himself as a "Professor of 'pataphysics, a branch of science which we have invented and for which a crying need is generally experienced." Jarry precedes the orthography of the French word 'pataphysique with an apostrophe in order to avoid a "simple pun", but ironically enough, such a diacritical mark only signals, as present by proxy, what is absent by edict, so that the word invokes apostrophically the homophonic phrases that it revokes catastrophically. Ubu, for example is a slapstick comedian (pataud physique ) of unhealthy obesity (pateax physique), whose bodily language (patois physique) foments an astounded physics (epatee physique) that is...

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This issue deals with post-modern poetry in English. It is the penultimate isssue of Sulfur. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book is a first edition, first printing.The author provides a history of the typewriter as a machine. There is also a section on "cut-ups" by Burroughs and Gyson.Review in The Atlantic, April 2007: "Witty and idiosyncratic, this history of typewriting says more than one might think possible about the subject. . . ." Book Description Amazon.com: "The Iron Whim is an intelligent, irreverent, and humorous history of writing culture and technology. It covers the early history and evolution of the typewriter as well as the various attempts over the years to change the keyboard configuration, but it is primarily about the role played by this marvel in the writer's life. Darren Wershler-Henry populates his book with figures as disparate as Bram Stoker, Mark Twain, Franz Kafka, Norman Mailer, Alger Hiss, William Burroughs, J. G. Ballard, Jack Kerouac, Hunter S. Thompson, Northrop Frye, David Cronenberg, and David Letterman; the soundtrack ranges from the industrial clatter of a...

Scope and Contents This book is a first edition, first printing.The author provides a history of the typewriter as a machine. There is also a section on "cut-ups" by Burroughs and Gyson.Review in The Atlantic, April 2007: "Witty and idiosyncratic, this history of typewriting says more than one might think possible about the subject. . . ." Book Description Amazon.com: "The Iron Whim is an intelligent, irreverent, and humorous history of writing culture and technology. It covers the early history and evolution of the typewriter as well as the various attempts over the years to change the keyboard configuration, but it is primarily about the role played by this marvel in the writer's life. Darren Wershler-Henry populates his book with figures as disparate as Bram Stoker, Mark Twain, Franz Kafka, Norman Mailer, Alger Hiss, William Burroughs, J. G. Ballard, Jack Kerouac, Hunter S. Thompson, Northrop Frye, David Cronenberg, and David Letterman; the soundtrack ranges from the industrial clatter of a...

Scope and Contents The author provides a history of the typewriter as a machine. There is also a section on "cut-ups" by Burroughs and Gyson.Review in The Atlantic, April 2007: "Witty and idiosyncratic, this history of typewriting says more than one might think possible about the subject. . . ." Book Description Amazon.com: "The Iron Whim is an intelligent, irreverent, and humorous history of writing culture and technology. It covers the early history and evolution of the typewriter as well as the various attempts over the years to change the keyboard configuration, but it is primarily about the role played by this marvel in the writer's life. Darren Wershler-Henry populates his book with figures as disparate as Bram Stoker, Mark Twain, Franz Kafka, Norman Mailer, Alger Hiss, William Burroughs, J. G. Ballard, Jack Kerouac, Hunter S. Thompson, Northrop Frye, David Cronenberg, and David Letterman; the soundtrack ranges from the industrial clatter of a newsroom full of Underwoods to the more muted...

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Subtitled andor the dangerous prevalence of imagination, this novel is devoid of punctuation marks. -- Source of annotation: Marvin or Ruth Sackner.