Three columns of newsprint were cancelled with white ink by handmarking. The text becomes impossible to read and the work appears like fabric. -- Source of annotation: Marvin or Ruth Sackner.

The first Hebrew word, ohel (tent) is changed in five stages to the final word in the column, ruach (wind, spirit). The letter forms are drawn in black ink. The concrete poem suggests how easily a tent can be transformed by wind. -- Source of annotation: Marvin or Ruth Sackner.

The title translates to "Structure-Break/Structure-Framework." The image consists of two groups of densely placed Hebrew letters divided by a river-like blank space. On the left and right sides are several letters that are randomly, less densely placed. This could be a metaphor for the Red Sea, of the political schism of religious and non-religious Jews, or history's attemmpt to divide the Jews. Or it could be simplly a beautiful abstract, typographic poem! -- Source of annotation: Marvin or Ruth Sackner.

The black sculpture consists of the Hebrew letter Taw (T). The numerical value of this letter is 400. -- Source of annotation: Marvin or Ruth Sackner.

Daniel drew outlines of Hebrew letters in black ink randomly on transparent paper placed over a page of printed Hebrew text. -- Source of annotation: Marvin or Ruth Sackner.