The stamp, made of rigid photopolymer, is a drawing of a heart surrounded with the words Ruth and Marvin Sackner Archive of Concrete and Visual Poetry designating various parts of the heart. The strip of labels contain the same aphorism on different colored stock from Corbett's publication, Tensetendoned. This item is stored in the box with Tensetendoned. -- Source of annotation: Marvin or Ruth Sackner.

This is exceptionally powerful print that commemorates the September 11, 2001 destruction of the World Trade Center Towers in NYC. It was first published in the book, "The Visualised Page" (2001), an assembling held by the Sackner Archive. The image accompanies that record. -- Source of annotation: Marvin or Ruth Sackner.

This set of six stamps shows the logograph of Shell Petroleum Company with the first letter 'S' removed. It was produced for a Petroleum show in the gallery. -- Source of annotation: Marvin or Ruth Sackner.

This was described as a sounds amd visual recording project with students and artists collaborating. -- Source of annotation: Marvin or Ruth Sackner.

This work documents an exhibition and residency at the Fermoy Gallery that took place from May 2 to July 2, 1994, a catalogue in two parts of an international mail art show entitled "What is Surrealism?" and an Exquisite Corpse book done with students. -- Source of annotation: Marvin or Ruth Sackner.

This book a performance poem about the French revolution by Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Each page was rubberstamped in colored ink using a toy snake. Other elements included drawings from a rubber stamp of traffics signs. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts a photograph or a drawing of the corner of the house that mail artists use for their networking, -- Source of annotation: Marvin or Ruth Sackner.

David Dellafiora contributed an exceptionally powerful print to commemorate the September 11, 2001 destruction of the World Trade Center Towers in NYC. The print is depicted in the accompanying image with this record. Although the image is simple, it offers multiple interpretations of its meanings. A larger laser print of the same image in 11 copies is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This edition of artist trading cards was coordinated through an education program for young adults in Geelong. It offered them the opportunity to contribute to an international project sending their tokens into the mailart network. -- Source of annotation: Marvin or Ruth Sackner.

This artist book presents a body of work produced by year 8 students at Matthew Flinders Girls Secondary College. Each student focused on a particular landscape for the development of small canvases (reproduced as b&w photocopied pages) that are captioned with a single word. The book accompanied an exhibition at the HUB Gallery. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition consisted of a group show of 100 Papier Mache Birds. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of an exhibition catalogue documenting and depicting multiples done by the international community of mail and stamp artists. The box consists of multiples made by HUB Gallery participants as well as other artists in the exhibition, e.g., artist and (edition size), Erica Van Horn (200), Tamara Wyndham (?), Stephen Spurrier (100), Dystatic (?), J.C. Synthetics (12), Sticker Dude (12), Michael Schonauer (500) and Benjamin Bohm (100). -- Source of annotation: Marvin or Ruth Sackner.

This profusely illustrated catalogue depicts examples of postcards sent to Cassie Howard that are similar to those sent to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This project was done by young artists who decorated seven storefront windows in Geelong. -- Source of annotation: Marvin or Ruth Sackner.